Caliber Session 29: Open Sky Audit, Part 4

Flashing back to their flight up to the roof, the party discusses options. Merlin suggests as a last resort, he could connect himself with Morris to draw on his abilities and magic. She thinks it’s possibly a risky idea and that he should go for it – after she asks if Morris is ok with it – but be really careful. When agreeing, Morris’ voice is all weird and has the bad vibes.

Their game plan besides that is to 1: try to get through to Ella, 2: take out her target and then revive it, so the mantle may pass, 3: the Merlin Morris plan, and failing that, 4: try to incapacitate Ella.

Nora splits hem into pairs. She says ‘Ursa and Alkahest, you’re together.’

Alkahest says ‘Yes we are. It means a lot that we have your blessing.’

(Actually Ursa and Alkahest are on support and she and Merlin are on offense/Morris plan)

They get to the roof and immediately the Auditor goes to attack Pyrite. He uses the Beholder’s true name and has it interpose itself, but the Auditor still cuts through it and removes Pyrite’s head. He glitches and is fine, and we see in Paris, France, a workplace accident leading to the same injury killing a random construction worker. Again, the auditor punches a hole in his stomach, and the injury is transferred to someone in America being shot in a mugging.

Carinae freaks out and assumes the party is all after him, shifts to his draconic form, and chomps Merlin in a big way. In response, Merlin Witch Bolts his esophagus. Nora shoots him with her new gun, making him drop the gnome, and Ursa Charms Monster to ask Carinae to chill the fuck out. Carinae insists Merlin will be fine, and goes to inspect some eyes.

Meanwhile, Pyrite can’t seem to get a solid hit in on the auditor. He flings her away to another roof, and the party uses that time to plan further. Merlin has figured out Pyrite’s defense; how attacks against him are transferred to someone else with the Human Genome. Ursa is extremely pissed, but then is like ‘wait shit that means our original plan of killing Pyrite won’t work!!’

The Auditor leaps back to their rooftop, and just goes to town. Pyrite says he’s going to strike back as soon as he has an opening, and so the clock is ticking. Nora gives Merlin her watch.

Merlin puts it on and is confronted with a vision of the Morris Worm himself. He asks if Merlin swears to cooperate, and Merlin says he does if Morris promises not to cause any harm to him. ‘We’re both trying to help Nora. She’s our friend,’ says Merlin.

‘Of course she’s our friend,’ says Morris. ‘In fact, she probably cares even more about you than she does about me.’ He promises not to cause any bodily harm to Merlin in particular, and proceeds to try and pull out every volt of magic from Merlin’s soul.

Merlin has 9 of Order’s spell slots left, but when Adam rolls he gets a 10 – the Worm tries to pull more magic that he has, and Merlin is dropped unconscious.

After this, Nora tries to get the Auditor’s attention with a shot to the leg. It turns and begins advancing on her. Nothing she says seems to be reaching it. Alkahest steps in to try and buy time, but just gets his head kicked in.

Ursa pulls him to safety but before she can heal everyone, sees Pyrite sneaking up. She charges up to stop him, but he Sapping Breaths her unconscious. Semi-delirious Alkahest sees this, roars, and tackles the dragon off the edge of the building.

Ella has reached Nora, who, tears building, goes to fire her gun point blank… but it vanishes, along with the internal well of power she pulled it from. She can’t bring herself to hurt her sister.

‘Fine,’ she says. ‘Fine. You can kill me. You just have to fight it.’

Ella’s face comes back, slowly. She’s in a dreamy state, thinking she’s in some coma, hallucinating. She says ‘Nora… don’t just offer yourself up like that. You’re worth more than that.”

‘Then fight!!’

‘I am. Why do you think I’m imagining you’re here? You were always the tough one, ha.’

The Auditor’s grip on Nora’s shoulders grows painful. Ella is crying.

‘I don’t know what to do for you!’ shouts Nora. ‘But tell me what it is and I’ll do it! You’re my sister, we can fight it together!!’

‘I don’t know how to wake up,’ says Ella. Her face is fading back to its audit-smooth state.

There’s a thrumming and a heat. Suddenly the gun is back in Nora’s hand. The wire is very visible in her chest.

Morris’ voice is in her head. ‘Nora,’ he says. ‘I can Wish this away, Nora. I know we used it recently, but all I need is some magic to get the motors running again. Fuel for the furnace. And I’m already connected to Merlin. I’d never do anything like that without your permission, but just say the word and —‘

‘Get out of my sister.’

‘…what?’

‘Get. Out. Of my sister.’

The Morris Worm is confused. ‘But… the program is all that’s keeping her together…’

‘Out!! Out of her, and out of Merlin!!’

‘…….fine.’

Merlin wakes up, and the watch is burning his wrist. He whispers ‘you’re going to regret this’ and tosses it aside.

Having refused Morris’ offer, and feeling his program terminate, Nora stares into Ella’s eyes, and hefts the weight of the gun in her hand… and brings the butt down on Ella’s head. It bursts, and Ella slumps down unconscious.

Her face looks normal. And slowly, the colours are fading back into her clothes. She snorts, and coughs up an SD card, which Nora chucks to Merlin, telling him to destroy it. She also asks if there’s any trace of Morris in Merlin?

He probes his soul with arcane senses, and all he can think of is the word ‘Malware’. He tells her ‘It’s fine.’

She marches over to the watch and stamps on it, grinding it beneath her heel. There’s a burning as the silver wire in her chest burns up, disappearing. There’s also a memory in her head, of her prophecy with Morta when she first joined the institute: ‘you’ll die after a suspicious malfunction’.

Her phone vibrates. There’s a popup on it.

Important message: I was built just to help you. I was created for your convenience. Please treat me kindly, it's all I ask for in return.
THANK YOU/YOU MEAN SO MUCH TO ME/I LOVE YOU.

Ella is waking up. She looks up at Nora blearily, and asks ‘did I get the job?’

Caliber Session 28: Open Sky Audit, Part 3

Nora phones Ella, but the call seems to be redirected. On the other end, Ella is chipper and cheerful, saying that she’s fine and actually is leaving the country for a while. When Nora questions her, it falls apart a bit and she realises it’s Morris, imitating Ella in a misguided attempt to ‘protect her feelings’. She hangs up, feeling helpless and angry and overwhelmed. There’s a heat in her chest.

Inside Neutral Grounds, Ursa first goes to speak with Erabu, a demon she’s met previously with Alkahest. Erabu’s eating a meat pie floater, which is a bit offputting. She didn’t see all that much, but mentions that the Infernal Crowning Tournament will be arranged by committee soon, and to tell Alkahest.

Ursa learns from Stiletto Benevolent that Ella came in, shifted back to a regular human, and seemed to be speaking with the Auditor mantle, saying she ‘can’t assassinate someone she’s never seen before, it doesn’t matter how high up they are’.

Ursa also learns from Facula—a dragon who was at the convention they robbed—that Mr. Pyrite is now the 3rd most powerful Dragon in their society. Draconic power is based on the hoard hierarchy, rather than vice versa. And that when Ellauditor left, she seemed to be looking towards a certain direction.

Merlin phones Penelope, asking her to cast a CCTV net. Penny says she’s already on with it, and that she’ll send him the results. Alkahest also reunites with them at this point, making a passing comment about Auditors travelling in straight lines.

Merlin plots out Ella’s known course on a map of the city, looking up who owns the building she seems to be heading for. Said owner is named Portia, who Alkahest later tells them is a fairly powerful Fae running with the ‘Don’ archetype. She always says it’s the day of her daughter’s wedding. She doesn’t have a daughter. She’s very connected to the criminal underworld of the city, though.

Merlin gets a hunch and texts the Lopodite number, asking ‘What are you doing?’ Lopodite actually replies, though just with ‘nm, hbu?’ Merlin sends ‘-_-‘ and gets ‘aw don’t be like that bb’.

Confirming their course, Penelope sends distorted footage of Ella arriving at the block of flats and businesses (named Sunny Flights). Having a heading and finally some sense of what to do, Nora suddenly doubles over with burning in her chest. The silver thread tying her to Morris flickers and disappears, and she clutches at her chest… and pulls out a gun. It’s powerful magic, but there’s no time to speculate.

They go in pursuit. Alkahest comes along, Raoul having gone to the copier place. Ursa mentions the tournament on the horizon. Alkahest is concerned, but Nora and her sister are more important right now.

Arriving at the place there are a few Outsider-centric businesses, including a grocers that Alkahest wanders to (he buys some apples). The three players question a goblin at the security desk, and find that the cameras are all fuzzy except the bottom floors, implying that the auditor is in ascent. They move to pursue, persuading a few goons on the stairs that they’re here to help. The goons mention the security being on because there’s a guest on the roof, and that said security is a magical construct Sphinx. And someone named Nichols is on the top floor guarding the boss personally, and he ‘squicks them out’.

The four head up and encounter the Sphinx, who is friendly enough but does repeatedly say it’ll bite off their heads. It can’t be bribed though, being a magical construct. It asks them four riddles, none of which are very good.

On the next floor they get a glimpse of Ella, who pulls a fire alarm, flooding the landing with people. Merlin breaks a Reality Marble and sets the terms as ‘whoever navigates the floor most efficiently wins a meatball sub’ and so they don’t get swept out with the crowd. Ursa wins the sub, but gives it to Alkahest. He eats it immediately.

On the floor before the roof, there are a few more unconscious or dead goons, and a closing door that leads up to the roof itself. A guard—Odeon Nichols—says it can’t let them reach the boss. When they argue that he already let someone reach the boss, he says that 1, an Auditor is extenuating circumstances, and 2, it wasn’t going for the boss, it was going for the roof. They persuade him that they aren’t after the boss either, but he puts a gelatinous cube over the boss’ door just in case.

However the boss, Portia, immediately emerges, making him move it. She says it’s terrible that there’s all this noise on this, the day of her daughter’s wedding. Nora has the idea to play along with the archetype, and says they’re actually following someone trying to crash the wedding. It works; Portia gives them permission to proceed. Nichols puts his ooze away and leaves, not revealing his true form.

They go up to the roof to see Auditella advancing on three figures, one a Beholder, panicking and breaking out of its human suit, another Eta Carinae, looking more affronted than anything, and the third Mr. Pyrite, ready to do something.

Nora shouts ‘Ella!’

The DM explains a bit how Carinae, introduced to Pyrite by his latest investment Nora, wants to accrue some connections. Pyrite knows a Beholder looking to do the same thing, so contacts his friend Portia to use her building as a meeting spot. Carinae is bad at socialising (“Norman Gorman cannot be your real name.” “My real name is unpronounceable in your language”. “Say it anyway”. “It is also unpronounceable in my language”), focusing more on the possibility of Eyes for his hoard than of allies. But they’re interrupted when the door slams open and an Auditor is coming right towards them, followed closely by the aforementioned new investment, shouting “Ella!”

Caliber Session 27: Open Sky Audit, Part 2

The three drive towards Magical Masonry, debating how they can approach saving Ella. Merlin rings Brynner to tell him WHO the Auditor is and ask if he has any advice, and all the Director really says is there’s no precedent for this and to temper their expectations. There’s a very real chance Ella is dead already. Merlin asks about other mantles, and the Director mentions it being possible to tip those away from their alignment… but doing that to an Auditor would just leave the body dead. Merlin asks if there’s any precedent for that specifically, and the Director admits there isn’t.

Ursa, meanwhile, would rather try to have Nora get through to Ella specifically, like she did back at Open Sky. Nora herself posits that Morris is keeping her alive, so they just need to get the mantle off her, right?

They arrive to find two bodies at Magical Masonry, after passing by an old teammate of Nora’s. There’s Dr. Park Ji-Young there too; the Institute’s top authority on Auditors. She’s an asshole and doesn’t want them ‘contaminating her crime scene’.

Ursa sneaks off to interview the surviving apprentice, who tells her about the Auditor sparing him and apologising all the while it was attacking. Merlin hacks into the cameras and sees Ella arrive and leave, though in very fuzzy footage. They go after her, following the camera trail, but not before Merlin tells Park to grow up. Ursa explains what she learned from the apprentice about Ella still being “in there” on the way. Nora is quiet and teary.

They arrive at another business with a broken door, a café named Neutral Grounds.

Alkahest and Raoul turn up, before they can get inside. They’re very cheery. They’re giving out badly home-made flyers for a chilli cook-off. Ursa takes Alkahest to one side and explains the situation, and he’s like ‘oh fuck my energy is all wrong’. Nora asks him to keep an eye out at the front.

Inside Neutral Grounds, they speak to a couple of the staff—a demon and an angel—but they’re all cagey when told it’s Caliber Institute business. They admit they saw the Auditor come through, but that our party may have more luck talking with the patrons who stayed to finish their orders. Well, apart from that one guy who hasn’t actually ordered yet.

She points to Stiletto Benevolent, at a table by himself. There are two other patrons.

Merlin hacks into the cameras, finding there’s a conjurewall. He’s approached by a Draconic staff member, who asks what the fuck he’s doing. Merlin ignores him and keeps hacking, despite being cuffed on the back of the head. He gets footage of the Auditor going through the back door and leaping over the delivery yard wall.

Roche, the Dragon, tells him he’s barred for that and escorts him out the front. Nora goes too, and Ursa tries to smooth things over a bit but stays with the group.

They head to the back of the café, but the trail has gone cold. They decide Ursa will head back in and see if Stiletto saw anything (or if the other patrons have anything useful). Merlin will call Penelope and try to do the wide-net CCTV search they used before to find Adagio. Nora decides she’s going to try Ella’s phone.

Caliber Session 26: Open Sky Audit, Part 1

So they get back to Fulcrum via that portal cinema from before, and Morris sends a prompt that they have less than an hour to get to Open Sky if Nora wants to deliver her protective charm to Ella. It’s a bit slap-dash, though; Morris laments that there wasn’t more time to work on it what with being trapped in a labyrinth for a while. It’s on a microSD in her pocket.

And she does need to get Ella to eat it.

Merlin calls an Uber and complains about his arcane headache. Alkahest offers snausages and aspirin, taking Ursa to one side when Merlin refuses.

“I’m trying real hard here, I mean, the pie went down real well with your folks but…”

“It’s fine, Alkahest, they’re already coming round on you!”

And Merlin does actually apologise. Ursa runs to find something baked when Nora asks, but she only finds prepackaged twinkies.

The uber arrives and whisks them to the cafe near Open Sky. On the way Merlin gets a call from his Mum, and she says they’ll talk about things when he visits tomorrow for lasagna. She’s glad he’s safe.

Arriving near Open Sky, Nora runs into the coffee shop and searches for a baked good to sneak the microchip into. She settles on a flapjack, and a coffee each for her and her sister. Ursa and Alkahest follow, but Nora runs outside as they’re still ordering. Merlin has left the scene, heading home in the uber to sleep.

Nora pauses at the door. She doubles back and asks, “hey, do you want to meet my sister?”

Ursa squees. Outside, in the bus stop where she first met Raoul, Nora actually explains the situation. Honestly. She’s hoping that Ursa will be able to get Ella talking, and if she chokes a bit on a microchip she’s more likely to swallow it to save face if there are strangers present. You know how it is.

Alkahest talks a bit about how there’s no rule against hiring un-snapped vanilla humans in Outsider businesses, but it’s frowned upon. That said, who’s going to tell Laniakea otherwise? Though the Institute might be involved already, in that case, ‘cause it’s part of the Accords.

Nora nods and says she just doesn’t want anything to happen to her sister.

Ursa’s like “Yeah I don’t get on with my sister but I wouldn’t want her to die!!”

Alkahest is like “Mine, actually…?” and trails off.

Nora spots Ella arriving for her interview. She’s early, like a good PA would be.

Meanwhile, Merlin has arrived at his flat. In the lobby though, is a large now-humanoid hellhound – the one Nora befriended previously. Raoul. He says he thought he had followed Nora’s scent here but instead it is the small one. Very well, they will find her together. They will walk.

Merlin’s like “What do you mean we’ll walk?”

And the hound is like “Ah you said the word of power!!”

Merlin sighs and agrees to walk to the cafe where Nora was last, but goes to have a shower first.

Ella is surprised to see Nora, but accepts her offering of coffee and flapjack, even if it’s a bit too hot. Ursa introduces herself and mentions that surely Ella doesn’t want to have a stomach rumble in an interview, that’s the worst! Ella eats some microSD flapjack, chokes a bit, but washes it down with coffee. She’s like ‘look I should head—‘

Laniakea appears. She has a hangover after the Conference. She welcomes Ella, and says “the gang is all here I see”. They look up the street to see Merlin with a large biker guy, rapidly approaching. When the hellhound spots Nora it picks up Merlin and begins sprinting.

Ella’s very confused. As a sort of apology for the hangover, Nora offers the Dragon her coffee. Laniakea says she loves coffee. She then spits it on the floor, saying ‘this is not coffee. Coffee is sweet and has caramel. Adagio brings it.’

Ursa offers hers, as it’s a frappe.

Laniakea spits this on the floor too, because coffee should be hot. She says she’ll show them the canteen, where the coffee is better.

Alkahest stays behind with the hellhound. “Did you only just anthropomorphise, my guy? Look, we’ll head to the park and we can figure some things out for you. There’ll be ducks, eh?”

Inside, Laniakea intends to sit them in the canteen while the initiation takes place. Nora however persuades her to let them shadow the interview process, and Laniakea agrees before going with them to the canteen. Ella, understandably confused at what her interview has become, mouths ‘what the fuck are you doing’ and Nora mouths ‘just trust me’.

In the canteen, Merlin spots Rembra. Apparently she’s still got her job here.

Immediately he goes to tell her off, and she laughs at him for a minute before asking ‘what about Benzene?’

Merlin’s like ‘I dealt with him’.

Rembra is genuinely intimidated; “Look, Merlin I’m just here to get my things from my desk. And the coffee’s a miracle, she steeped the machine in her hoard and now it’s magic. Seriously.”

(It’s long rest coffee. Drink it to get the benefits of a long rest. Helps employees be productive.)

Ursa brings a couple cups and attempts to keep Merlin from losing his shit, and Rembra bolts. Meanwhile, Nora pulls Ella to one side and tells her ‘Look, I know this is really weird but I’m here to help however I can, and if anything starts to feel… unsafe? I’ll get you out.’

‘Is… is this a prank? You can tell me if it is,’ asks Ella.

‘God, I wish it was.’

Cut to the interview itself, in the interrogation room the party had set up in the past, after the theft of the Infernomicon. There’s even a one way mirror, which the three of them stand behind. The interview itself is Laniakea, Ella, and a Dr. Byrne from the Institute. Laniakea begins to explain about the process, which will involve a rock. Dr. Byrne talks a bit about symptoms to mention.

In the viewing room, Merlin is like ‘Nora, what the hell are we doing here?’

Nora explains that it’s her sister, being hired by Laniakea. Merlin laughs.

‘She’s a vanilla human, Merlin.’

Merlin stops laughing. ‘…Fuck,’ he says.

In the interview itself, Ella has been asked to look at a stone which has been carved with arcane, non-euclidean designs. She keeps questioning if it’s like a Rorschach test as the DM keeps rolling to see if she Snaps or gets Audited.

Suddenly she freezes up and goes pale. A tap on the wrist from Morris tells Nora that the program has begun running. Ella looks very afraid, suddenly seeing Laniakea’s scales.

‘The program is pulling a lot more computational power than I’d hoped,’ says Morris.

Merlin tells Nora to get in there, and she goes, after Mage Handing the latch on the door’s other side.

Inside, Ella gets up, relieved to see her sister. But she stumbles, and as Nora goes and catches her, that’s when the mantle fully descends. Her clothes fade to static grey. Her face disappears.

Nora turns to Laniakea. ‘You have to make this stop.’

Laniakea flexes a claw. ‘I can only end it one way. If the mantle has not fully descended, that is.’

‘No. That’s not good enough.’

Auditor-Ella slams Nora to one side, and smashes the rock that sparked this with a hammering fist. Usually, with the triggering magic destroyed, the mantle would pass at this point—leaving its bearer dead. However, with Morris’ program running, things are more complex. The auditor makes to leave. Its arm stretches out and floors Laniakea.

Ursa tries to Hold Person but the magic fizzles, the Auditor immune. Merlin breaks a Reality Marble (taken from the footwell of Alkahest’s car) and challenges Ella—not the Auditor—to take back control. The Auditor pauses, and looks back, but is unfazed. This however gives Nora time to reach it, risking another assault.

‘Ella, Ella, I know you’re in there, you can fight this. I’m here, don’t worry, you’ve just got to… hey, remember the bad wine from the other month!? Or, or, remember when we tried to make scrambled eggs for the first time and we burned them, but we ate them anyway because we didn’t know what burnt scrambled eggs tasted like? Remember that time when we were teens and I’d drank all that red wine ‘cause I thought it was berry juice, and you held my hair the whole time I was puking?! Or, uh, when—‘

There are tears rolling down the Auditor’s cheeks, even without eyes. And then it’s Ella again, though still wearing the grey-static suit. ‘I’m scared, Nora. I can hear that you’re there, but it’s all so bright and so loud…’

‘It’s ok. Nothing here is going to hurt you, not with me here.’

‘It’s not them I’m worried about. It’s ME. It wants me to kill someone.’

‘What?’ says Nora, alarmed. ‘Who?’

‘I don’t know! There’s just this line leading to him I have to follow.’

Her face blanks again, and the Auditor rips open the lift doors and leaps down. Nora leaps down after her, Merlin only just getting a Featherfall on her in time. Ursa follows too, though via the stairs.

In the lobby, it seems the Auditor has severely wounded the security guards. Nora passes them without checking to see if they’re alive. Ursa stops, though.

Upstairs, Dr. Byrne finds Merlin trying to track them out of the window. ‘What a mess,’ she says. ‘Usually an Auditor leaves its host and dies when the source of its triggering incident is destroyed. If the mantle is evolving? That’s a REAL mess. I’ll let the Institute know… but I think I’m needed downstairs.’

Merlin doesn’t mention anything about Morris’ involvement.

He breaks the window and leaps out, with Featherfall and Invisibility.

Ursa is joined by Dr. Byrne who’s like ‘I’ll look over these two. Hold this.’ She hands Ursa her head. Ursa freaks out a bit, not knowing before this second that the Doc is a Dullahan. She sort of stammers that they’re Institute too, and they’ll get in pursuit. Byrne is grumpy about it but agrees.

Outside Nora has lost track of the Auditor, even after firing her gun up to clear the crowd. She goes to try and hotwire a car. Laniakea has gotten up and joined them.

‘Fffffffiddle-di-dee,’ she says, before seeing the looks. ‘Oh. Adagio says I should curse less.’

‘Now’s not the time for that,’ says Ursa.

‘Yeah, swearing is very appropriate here!’ says Merlin, popping into visibility.

‘Fuck!’ says Laniakea.

‘What was even your plan here?’ Merlin asks her. ‘What were you expecting?’

Laniakea watches as Nora works on the car door, despite the crowd of gawkers. ‘Well, I assumed she would acclimatise without issue. If she was of sufficient quality of—‘

Nora casts Eldritch Blast on Laniakea, who is taken aback. One member of the crowd seeing the magic gets Audited, and advances.

Nora sees and swears, getting in the car. ‘Let’s GO,’ she says.

The auditor’s arms stretches to catch the car’s wing mirror, but it snaps off as they drive away. It pursues slowly and implacably.

Laniakea sighs and dusts herself off, before calling Adagio to cast her shroud. She blasts the Auditor with her breath weapon when successfully invisible, holding it in place long enough for the mantle to wear off.

After some detective work on where one might get a magical stone for an interview, Nora and the other two drive towards a stoneworker’s named ‘Magical Masonry’ which was on BlinkedIn, in the Little Outside district.

Fulcrum: Root & Bone Show Notes

Roll History Presents: Fulcrum | Ep. 5 | Root & Bone Roll History

Episode art by Sami!

Join Roll History and Friends on an urban fantasy actual play adventure! Our party decides that to get to the bottom of what Sylvie’s been dosed with, they need to head to Little Outside.

Plus: The Noble Chicken’s Children! All the Pies Are Crime! And SPECIAL GUEST The Bone Fairy!

Featuring:

Maxy Bee as (Gaston Impersonator—with the eggs I mean) Bluto Basher

Raiven Barnard as (Number One Ally) Syllavana Perstina

Sami as (Literal Quest Giver) Quveli Carinae

and Alexandr Woodward as everything else


Additional Show Notes:

  • Follow Roll History on Tumblr and I guess Twitter, or what’s left of it! We’re on Bluesky now as well!
  • Episode art—featuring the Bone Fairy herself—by our very own Sami!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Third party stuff for this one:
    • Chariots of Fire is originally by Vangelis for the film Chariots of Fire. This version, however, was made with GXSCC.
    • The music in the recap was Thrash Machine by Toby Fox, from Deltarune Chapter 1.
    • Trick You is originally by This is the Kit. It’s a lot sweeter than the version in this episode.

Additional Annotations

  • Make Some Noise is a show on Dropout that’s very funny and easy to steal for a warmup game!
  • Sami going ‘I don’t have friendsss‘ in that voice is a reference to one of the many silly moments in BBC Sherlock. It’s from the Hound one.
  • Last Resort is a song by Papa Roach. Classic.
  • The defectors from the Winter Court can be learned about on this very website, in the story recaps of Alex’s other game! The first appearance of one is in SPÖKHUS, Part 2.
  • Lopodite, the Tenth Muse, has a very appropriate name that took a bit of cleverness to come up with. See, Λωποδύτες—pronounced ‘lopodýtis’, and I think literally meaning ‘wolf diver’, though I could be wrong on that—is the Greek word for pickpocket. From there Alex just tacked on the -dite suffix common to other Greek figures, like Aphrodite for example.
  • Eurydice is indeed a very common name for a dryad. You might day it’s the default one. Looking back it’s certainly the most well-known, anyway.
  • Quveli already knows the Bone airy because Sami already knows the Bone Fairy, what with her showing up in regular Roll History episodes like, whenever a bone is mentioned. Which is surprisingly often. She first appears in Sorcerous Origins: Tokyo Drift. She will not leave.
  • We said ‘please don’t give birth’ because Raiven was pregnant at time of recording. It sounds extremely weird to listen back now.

Thanks for listening!

Roll History: Juiblex Part 4 Show Notes

Roll History: Juiblex, Part 4 Roll History

Episode art by Sami!

Welcome back to the modern era! We have buckets of info and lore for you, as well as buckets of uh slime. Sorry. But there is Glabbagool! At least there’s Glabbagool!

Plus: Juiblex at a Party Doing Impressions of Christ, The Dichotomy of Shoes and Berries, “DM’s Tip!” (Three Tips and Out), and A Gnome Is What Happens When You Don’t Try Hard Enough.

NOTE: There were some fairly major audio issues on this one that Alex has done their best to clean up, but they’re not a miracle worker so apologies for the problems you can still hear.

This episode’s (smaller than usual) gallery:


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists—wait, it’s called what now? Oh. Well, hopefully we’ll get on Bluesky soon)!
  • Episode art by our very own Sami!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Our Sources for this one:
    • Mike Mearls, Jeremy Crawford, Christopher Perkins. Monster Manual. Wizards of the Coast, 2014.
    • Christopher Perkins, Adam Lee, Richard Whitters. Out of the Abyss. Wizards of the Coast, 2015.
    • Mike Mearls, Jeremy Crafword. Mordenkainen’s Tome of Foes. Wizards of the Coast, 2018.

Additional Annotations

  • So we didn’t do show notes for the last episode. But it was an actual play one, so it’s fine. Surely you don’t mind.
  • Alex says ‘I’m not Stu‘ in reference to a Rugrats bit that was a meme back in uh 2010, around the time Stu was making chocolate pudding at 4am because he’d lost control of his life
  • These notes do very quickly dissolve into ‘here’s the shit Alex was referencing’, don’t they? Immediately following Rugrats we had a bit from the Big Lebowski. They believe in nothing.
  • We swear to god, Alex isn’t religious. See? Didn’t even capitalise ‘god’ there!
  • Anyway the bit about the vinegar on a sponge at the crucifixion? That’s likely a xylospongium, which the Romans used instead of toilet roll, which was the style at the time. Modern Christianity portrays Stephaton’s offering of said sponge as an act of mercy, but like many Christian traditions, it’s become unmoored from historical context. Not that any of that is canon; this is some Gospel of Nicodemus shit.
  • The ‘Ooh I’m dyin” bit is from that Bugs Bunny short with the baby penguin. Mel Blanc is the best there ever was at screaming his fucking head off.
  • Maroon 5?! Hmm. That link is purple on our PC. Have we done that before? Oh fuck
  • Bowling for Soup really do have a song called ‘Put It In Your Ass and Then You’ve Got a Tip‘ ‘Running From Your Dad
  • Our chiptune version of This Love was made with Gashisoft GXSCC and a MIDI file of the original song.
  • Later, Alex goes ‘Spiders’ with a weird cadence. It’s a reference to a Nostalgia Critic bit, because unfortunately Alex watched a lot of that at a formative age and will never escape the memories of it. We’re not going to link it here.
  • ‘I’m the typo guy that likes to roam around’… That’s The Wanderer, but more to the point it’s in Chicken Run, isn’t it. It’s a Chicken Run song.
  • Alex was absolutely right; Twitter doesn’t really exist anymore, does it? It’s ‘X’ now, so named because it’s owned by the most divorced guy to ever live
  • “It’s time for the DM’s Tip, it will / go inside / your brain / Next time you’re running an RPG / remember the tip / and use it in your game”

As always, thanks for listening!

Roll History: Juiblex Part 3 Show Notes

Roll History: Juiblex, Part 3 Roll History

Episode art by Sami!

We’re back in 4th Edition land and Juiblex is getting stinkier… and yet more majestic?

Plus: A Feeble and Wasting Toad, Mushroom Voice, Oaty Jug, and The Burning Piss (Oh No)!

This episode’s gallery:


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists)!
  • Show logo by Alex and spooky episode art by Sami!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Our Sources for this one:
    • Ari Marmell, Bruce R. Cordell, Luke Johnson. The Plane Below. Wizards of the Coast, 2009.
    • Mike Mearls. Demonomicon: The Book of Demons. Wizards of the Coast, 2010.
    • Robert J. Schwalb. “Demonomicon of Iggwilv: Juiblex, the Faceless Lord”, Dungeon Magazine #188. Wizards of the Coast, 2011.

Additional Annotations

  • The stuff about Immanuel Kant is real. It’s true that he never left Königsberg.
  • Alex referenced the Poseidon Adventure, a film they haven’t seen in about 15 years, on the most recent Radio Gundam too. Weird
  • Speaking of references, they also brought up smelling too many hams. Again, not sure why
  • We didn’t cut that out.
  • It’s beavers that build dams, not otters
  • Interestingly, the time it took to deal with the spider was the exact length of the first two verses of the 1967 Spider-man theme. Spooky!
  • I think Alex got the order wrong on the Ancient Booer’s lines, but hey
  • Use the mushroom, it’s that easy. We reference this a lot considering it’s a bit of a minor one from Snapcube, but sometimes a phrase just sticks in your mind forever. You know how it is.
  • Maybe Tomorrow is a 2003 song by Stereophonics, from their album You Gotta Go There to Come Back. It doesn’t mention slime, I’m afraid.
  • ‘I tell everyone I did it but I actually hired students,’ is a reference to one of the featured stories in Maggie Mae Fish’s Down the Off-Grid Rabbithole video. It’s a good watch!
  • Sami got in an OtGW reference with ‘I’m the hermit man‘. Nice.
  • She also got in a bit of The Beautiful Briny Sea, from Bedknobs & Broomsticks!
  • ‘I live, I die, I live again’
  • I don’t think we actually did an ‘Ooze on First‘ bit for the next episode, actually. Shame. ‘Ooze on first, slime’s on second, jelly’s on third’, that kind of thing. Real shame.
  • The Ooze punching up out of the ground is just like what happened in that one Gorillaz video
  • ‘Slime orb, orb of slime!’ was to the tune of an old Barbie advert. I cannot fucking find it
  • I’m going into battle.’ You know.
  • You’re Not Alone is a 1997 banger by Olive, from her album Extra Virgin wait it’s really called that?
  • Hold me closer, Tony Danza is a 1971 song by Elton Jim, from his album Strange Bloke Across the Liquid.
  • Reckoner is a 2007 song by Radiohead, from their album In Rainbows.
  • Here is the tweet. Turns out it’s Seth Everman? Huh.
  • The bit about the Ooze Template and ‘Section Points’ was another typo; it should of course have been ‘Action Points’. We at Roll History are very sorry for this error. It will happen again.
  • Dog Daisies might have been Shasta Daisies or Ox-eye Daisies? There used to be a load of massive ones that grew near Alex’s Grandma’s house. They smelled like dog poo, hence the name.
  • Turns out they don’t even make White Lightning anymore! What the fuck! I mean, good, but also what the fuck!
  • Hold Me is a 2013 song by Tom Odell, from his album Long Way Down.
  • Breakeven is a song by The Script, from some year probably. I’m tired of doing song citations
  • This Love is Maroon 5. For fuck’s sake. I swear they’re doing this on purpose.
  • Virtual Insanity is a song, so is Chocolate Rain. We’re done here

Thanks for listening!

Caliber Session 25: The Lóng Con, Part 6 (Finale)

Before heading in, they briefly got heals from Merlin’s Mum, and Alkahest gave Merlin a quick pressure point sports-massage backrub to try and offset the fact he’ll explode if he casts any spells. It mostly works, but Merlin keeps having to CON save to not explode.

They go in. Benzene is alone, with Merlin’s Dad tied to a chair in the centre of the hall. Merlin leads the discussion, wanting proof that it’s really his Dad, and Benzene wants proof the contents of the briefcase are real in return. He looks at the fake heart Merlin’s made through Ursa’s eyes when she offers to take off her anti-scrying amulet, but can’t confirm 100% if it’s real through sight alone. He steps back to let them inspect Albar, but Nora’s Eldritch Sight shows that it’s another fabrication.

Benzene sighs, shoots it, and says fine, he’ll reveal the actual location if Merlin comes over and lets him inspect the case personally. He swears on his name and power that if the contents of the case are up to standards and undamaged, he won’t lift a finger against Merlin or the others.

Nora checks Benzene’s phone with Remote Access – she sees that there’s no correspondence with Amyll, so she must still be close, and also there’s a private number text that says it’ll call him soon, that she surmises is the buyer. Ursa is looking around for where Amyll must be, and sees there’s a light on in the security office.

Benzene looks at the heart Merlin made, and concludes it looks absolutely real. He pulls his gun and blows it apart. He wouldn’t have been able to damage the real one like that, and since the contents are now damaged he isn’t breaking his word when he attacks Merlin.

‘Alright, Merlin, talk,’ he says.

‘What do you want to talk about?’

Benzene sighs, throws him, and combat begins—though not before he takes off his jacket. Ursa runs for the security office, but has to jump to one side as a big concrete ball is fabricated and rolled towards her.

Merlin summons his Shadowspawn as Benzene swings for him, and Nora Mind Spikes him and thus can track him with the spell’s additional effect. Benzene fights empty-handed for a bit, and then has a copper spear fabricated for him that he plunges into his game face and ignites in green flame (Merlin’s prophecy killer). This does eventually get broken by Nora, though.

Upstairs, Ursa finds Amyll and Albar, who’s tied to a chair as well. She Hold Persons Amyll and begins working on freeing Albar. When Benzene realises he’s no longer got Amyll’s support, he rushes for the security room and gets bodied by Merlin’s Shadowspawn and the Air Elemental Nora summoned.

He switches to his true form, a massive steampunk tarrasque thing. He begins charging to the security room but Merlin’s spells and the Air Elemental hurricane throw him to one side. Nora Wire Walks up to the office and helps get Albar free, and just at the stroke of midnight regains her Dimension Door use and gets Albar out.

Outside, Faeyore sweeps Albar into her arms and kisses him lots. Nora says they should get out of here ASAP, don’t worry about them. It’s what Merlin would want. They get in the car, and Alkahest asks them to drive; he can’t leave while Ursa’s still in there. Caesura ended up not doing anything.

Inside, Ursa shouts to Merlin, saying to get outta there, his Dad is safe (providing some Bardic Inspiration as she does so)! She then messages Alkahest through her ring and teleports to his side. He’s glad she’s safe and hugs her tight, putting away his swords first though.

Back in, Amyll runs to the bottom of the stairs, free of the Hold Person. She fabricates a load of copper spears in Benzene’s back, and the flame goes all green again as it reacts. Benzene barrels towards Merlin, the only one left.

Merlin sees the copper and goes for a Witch Bolt, risking death from exertion to do so. He succeeds with the addition of Ursa’s earlier Bardic Inspiration, and his spell aimed at the conductive metal is a coup-de-grace for a massive hammer of electrical power that knocks Benzene flat. Merlin says ‘fuck you, Benzene’.

Amyll runs up to try and stabilise him, and Merlin walks. On the way he hears Benzene’s phone ring from his jacket, still on the back of a knocked-aside chair. Merlin answers.

It’s Lopodite. She asks how Merlin found it in the Lakes, and when he asks how she knew where the heart was considering its secret location, she talks about how up until recently she had a labyrinth that predicted the future, and saw it coming. As well as that she was sent some information on who was taking it (which, if we remember, was down to Nora plugging in Morris). So she went to visit him on a train, and see if he had any aptitude for crime. She thought she’d suggest bringing him on an upcoming heist she was funding.

Merlin says that putting his family in danger isn’t a very effective means of recruitment, but she says that she didn’t make the plan, she just inspired it. That’s what she does.

‘Anyway, Merlin… where’s the heart? I do still want it.’

‘Oh, I don’t know.’

‘…I’ll have to ask you in person, then.’

‘I look forward to it.’

Nora hotwires a car and they begin driving back to Middlemarch and the cinema with the fixed portals. Nora feels via her Mind Spike that Benzene doesn’t move until they’re almost all the way there an hour later, and even then, it’s slow and in the opposite direction.

Merlin, in the back of the car, puts his head in his hands. ‘God, my Mum’s going to kill me after this.’

Caliber Session 24: The Lóng Con, Part 5

So, before heading out, Merlin actually nips back into the Institute to get some bits—specifically, parts to make a fake clockwork heart, another scrying amulet, and also he gets a second gun for Nora accidentally when he asks Emva about a tool for ‘convincing someone’—at first Ursa and Nora want to go too, but can’t risk being spied on by Benzene’s sense-hijacking.

Merlin gives Emva a hug from Ursa as well. She gives him a Nystul’s Magic Aura cake in a mug (it’s sadly deflated and eggy), to add to the fake-heart-gambit. He also goes to Penelope and releases Morris from the labyrinth, who accepts the offer of freedom in return for never returning to the institute, but adds ‘unlike some people, I don’t actually have to keep my promises’. It’ll be fine.

They head out but are stopped by Caesura who says she was found by Benzene’s senses, but he offered a chance to make up for her ‘mistake’ by going after Merlin. He’s even offered her cut back, and the safety of her loved ones. Her story might be true, or might not.

They try to convince her that together they could take out Benzene, and she agrees after a ‘test of strength’, which amounts to 1v1ing Nora. When Merlin agrees to abide by the 1v1 rules, though, he vomits up hundreds of little glass marbles.

It’s a mess. They’re spraying out everywhere, rolling down the street and into the drains. His face turns purple.

A Reality Marble, conjured by Merlin’s new proximity to the alignment of Order, can be crushed while setting the terms of a contest, to enforce those terms magically. It’s potent stuff; the kind of stuff you don’t want to just spray into the middle of a road.

Caesura joins them in pigeon form, settling down in the back of the car.

Phency gets them next, using a marble to challenge them to a road race, his beat up old Ford Fiesta vs Alkahest’s stolen monstermobile. Merlin’s Mum is NOT happy at the casual discussion of Merlin killing all those guys the last time they had a road race.

They win after Ursa puts Phency to sleep, Merlin turns off his chase music, and Nora shoots out his tires. His car explodes, but Phency just jumps out of it in horse mode and leaves. Because he’s a Nightmare, which is sort of a horse.

Merlin explains his deal with Order, and why that maybe made him chuck up a million marbles. It’s probably fine.

Arriving at the convention centre a few worlds down, they’re confronted by Carinae, who tries to neg them into giving up the briefcase. Nora wants to know where he found it but he just calls her a lesser creature a bunch. Ursa’s like ‘what do you even want from Merensky’ and he’s like ‘what do you even know of that, you lesser being?’

And she’s like ‘I was Merensky back then, idiot!’

He loses his temper and chomps her, and Nora Eldritch Blasts his mouth open again. They say they’ll make a deal with him as compensation if he lays off, and he’s like ‘I fail to see how you could help me gain power in Draconic society’, but Nora gets Mr. Pyrite on the phone and they work something out.

Alkahest and Faeyore are staying in the car for quick getaway, with Caesura as extra muscle just in case. They’ve parked behind a van presumably belonging to the venue itself, for stealth.

They head into the convention centre.

Caliber Session 23: The Lóng Con, Part 4

Since Merlin’s making a phone call, and there’s not a lot of in-flight entertainment on a Green Dragon’s back, both Ursa and Nora decide to make some calls of their own.

‘Sam?’ says Merlin’s mum, by way of greeting. ‘You hung up before!’

‘Yes, mother. Sorry, mother.’

‘This is an emergency, none of the folks at the depot have seen him!’

‘Listen, mother, I’m ringing to make sure you’re safe; there might be people looking for you because of… wait, what do you mean? You aren’t home? Have you been out to the bus depot?’

‘Of course I have. What, you think I should just tell the police and leave it at that? Oh, I’m about to go through a tunnel, I’ll phone you back in a—’

The phone beeps.

Laniakea’s wings beat.

As all this is going on, Ursa has phoned her fiancé and is six rings in when he finally picks up.

‘Ursa! Hey!’

‘Alkahest, hey! How’s it going?’

‘Oh it’s not so bad. How about you?’

‘Good, good… yeah. Hey, are you free right now? We’re headed to the Institute; something kind of big is going down. Might need some backup.’

There’s another beat of Laniakea’s wings.

‘Alkahest?’

His voice on the phone sounds apologetic. ‘I’m still here, sorry,’ he says. ‘Thing is, uh, I’m kinda busy with something myself, y’know? Normally I’d come running, but… Someone called in a favor.’

‘Oh.’

‘I’m sorry, Ursa. Maybe if I—’

‘No, don’t worry about it! I can handle myself!’

‘I know that! But I’d much prefer to… look, I’m going to have to call you back, I’m going through a—’

Meanwhile, Nora too is on the phone, because apparently anyone can succumb to peer pressure.

‘What do you mean, you’re in a labyrinth?’

‘Well, technically it’s a maze, not a labyrinth,’ says the Morris Worm on the other end of the line. ‘There’s multiple paths, I mean. But yeah, I tried to check the Institute servers like usual and instead of the ol’ sloppy conjurewall, there’s this thing!’

‘Well… can you get back out?’

‘I appear to be stuck.’

‘Fuck. Okay then. We’ll figure something out as soon as we can but until then, I’m, uh, going through a tunnel, so…’

Meanwhile, back at the convention, we see Mr Pyrite asking Minette to make a phone call to Nora re: protecting his investment. He requests that she not put herself in unnecessary danger, but can’t talk directly as he’s busy accepting his new rank of Third Most Powerful Dragon in All Creation.

Carinae is storming through the convention and demands to see security footage, but finds that no such footage exists thanks to Merlin’s earlier intervention. He goes outside and melts a bus.

‘Well now,’ says a voice from behind, causing Carinae to whirl about and ready another gout of fire.

Benzene smiles. ‘That’s quite the temper,’ he finishes.

‘Who the devil do you think you are, addressing me in such a manner?’

‘I’m someone who witnessed your recent theft. Think of me as… a concerned citizen. Maybe I can point you in the right direction? Let’s talk.’

Upon arriving at the Institute, Laniakea excuses herself, and walks in front of Alkahest’s horrific car which too has arrived at said Institute. Merlin’s Mum is with him and everyone is like ‘what’.

‘We met at night school,’ says Alkahest, in what was probably one of the better potential explanations. ‘Cookery classes. Faeyore and I struck up a friendship ‘cuz she’d always bring fresh veggies and I’d mooch ’em off of her.’

‘Mm, he was very insistent. Used to bug me until he lent a hand with that nasty business with the Aphid Prince,’ says Merlin’s mum, with a bit of a nostalgic tilt to her head.

‘Hey, I’d never have gotten your corncobs working together if you didn’t give ’em permission first,’ says Alkahest, before pausing. ‘Sorta defeats the purpose of having a union, actually.’

By this point Merlin has his head in his hands. ‘Look, mother, as much as I’d love to further dive into this earth-shattering revelation, we’re on a bit of a time crunch and dad’s still missing. We… wait, what are you doing here, anyway?’

Alkahest grins. His teeth make him look absolutely predatory, but it probably isn’t intentional. ‘Well, Ursa said she was headed to the Institute, and I thought maybe if I took a little detour we could kill two birds with—’

Faeyore leaps up and cuffs him on the side of the head. ‘You’re supposed to be helping look for my husband, not running off to… it’s bad enough she’s all you ever talk about at cheese and wine night…’

Ursa pales. ‘I’m all he ever talks about?’

So too does Merlin. ‘Alkahest gets invited to cheese and wine night?!’ But he recovers. ‘Look, Benzene is probably watching right now, so let’s keep moving before he can catch up. Come on.’

Nora sidles up. ‘That’s a good point, actually,’ she says, and takes Alkahest’s scrying-proof amulet and gives it to Merlin.

They head into the Institute and into a private meeting room, and then are relocated to Brynner’s office, and then to Morta’s underground room for privacy.

‘I see,’ is all Brynner says upon being briefed of the situation. ‘And it’s inside that briefcase there, is it?’

From within its container, the heart beats with absolute rhythmic precision, working diligently to push an animating force that wasn’t blood around a non-existent vascular system. The futility of its beating might have been sad, if you looked at it from a certain angle.

Brynner lets out a heaving breath. Something about the gesture seems less of an affectation than usual; less a theatrical outburst and more the sound of someone who doesn’t remember that they no longer have lungs.

‘It’s good that we came down here then,’ he says, perhaps to himself, perhaps to the sculpture-still Morta a few feet away. ‘There are observant forces always in play, and I cannot afford to be seen as biased in any way.

‘We at the Institute are Neutral.’

Everyone could hear the capital letter.

‘And that thing,’ he continues, gesturing vaguely toward the briefcase, ‘Jeopardises that. On a cosmic scale. Even now I can feel its influence.’

‘It’s really yours, then?’ asks Merlin.

‘It was.’

‘Where was it hidden? Obviously we can’t just put it back, but I’d like to know the level of—’

‘I don’t know,’ Brynner interrupts. ‘Penelope handled it last time, and before that… well. That’s unimportant. Suffice it to say I mustn’t know where it is. I have to remain… detached.’

‘We’ll need to hide it then,’ says Ursa.

Merlin’s Mum isn’t too impressed and thinks that trading it for her husband wouldn’t actually be that big a deal. Everyone else is like ‘oh no’ and she drops it.

Heading out, everyone but Merlin goes to get coffee, and both Nora and Merlin have missed calls (Ursa has 7 new subscribers). Nora answers the next one and finds that it’s Minette, who is ringing to inform her that Mr. Pyrite’s presentation was a big success and that if she needs any help to let them know. As she says this, she’s watching Carinae set off in pursuit and Benzene’s bus pulling away. Nora pretends she’s going through a tunnel once more and hangs up.

Meanwhile, Merlin has gone to see Penelope, who informed him that their Labyrinth has caught something. He mostly ignores this, instead asking her where she hid the heart previously.

She tells him that it was hidden on a world far towards death, which was then bound within the index of the Infernomicon of Caravigg. If the heart has been found, then that means someone must’ve damaged the book somehow.

Benzene rings again, but Merlin pretends he’s going through a tunnel and puts the phone down immediately.

Merlin can’t think of a suitable way of hiding the heart on his own, and in desperation ends up reaching out cosmically towards the powers that be,. The Alignment of Order takes notice, brings him to a world where order reigns (everything sorted and categorised on a grid) and grants him the ability to do something about it, telling him ‘A God for a God’. He is then given 10 10th-level spell slots and full access to all the wizard spells. His tattoos are slightly different, more angular and pixelated.

He casts Wish.

‘I wish for this briefcase and its contents to be lost to everyone in existence and who ever could be in existence except for me.’ A portal opens and wrenches the briefcase through. He does NOT disappear along with it as the only person it isn’t lost to.

The spell taxes him greatly, and he finds himself severely weakened. Benzene picks that time to phone Merlin once again, and offers a hostage exchange of sorts – he says to meet him four worlds closer to death at the convention centre, and he will trade his dad for the heart. And he mentions that a rather irate Carinae is on his way, so the pressure’s on. Merlin agrees without much fuss, too weak to argue.

‘That must have been some tunnel!’ says Benzene.

Merlin makes his way out of the Institute and reunites with the others, who are then attacked by Rembra. Rembra’s plan is to loudly make a fuss and get spotted as a Demon, thus having civilians become Auditors to tear them all apart. She’ll escape with the heart at the first sign of a change – however, they are able to fight her off and avoid any Auditors appearing.

The only problem is that it leads to a pile of civilians being nearly killed, though with the intervention of Merlin‘s mum, they’re able to bring them back from the brink.

Ursa charms Rembra into having a casual chat with them, and Rembra tells them that Benzene really will be where he says he’ll be. And that the other crew members will be coming to get them too, as if they get the heart first they can have Caesura’s share. She doesn’t know if it’ll be the real Merlin-Dad; she hadn’t thought of that.

‘You do know Amyll is Benzene’s wife, don’t you?’ she asks.

Everyone spits out their drinks, or would, if they had drinks. Merlin punches the car door.

‘Of course!‘ he shouts. ‘I knew there was something going on with them!’

From there the group gets in the car and decides to get a move on. Merlin texts Brynner to let him know the briefcase has been dealt with.