Fulcrum: Auditor Show Notes

Roll History Presents: Fulcrum | Ep. 3 | Auditor Roll History

Episode art by Alex this time!

Join Roll History and Friends on an urban fantasy actual play adventure! The Auditor advances on Sylvie with single-minded enmity. So, our party jumps off a roof.

Plus: Hey Fred Schneider! A Rat the Size of a Horse! And a Fight on Top of a Moving Truck!

Featuring:

Maxy Bee as (Deadlift Champion) Bluto Basher

Raiven Barnard as (Self-sacrificial Lamb) Syllavana Perstina

Sami as (Gymnast Extraordinaire) Quveli Carinae

and Alexandr Woodward as everything else


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists)!
  • Show logo by Alex and episode art by Alex as well this time!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Third party stuff for this one:
    • Clark Powell’s track Lancer from Homestuck Vol. 9
    • Robert Blaker’s track Battle Against an Unfathomable Enemy from Homestuck Vol. 9
    • Toby Fox’s Bird That Carries You Over A Disproportionately Small Gap from Undertale
    • Traikan’s A War of One Bullet from Land of Fans and Music
    • Seth Peelle’s track Sunslammer from Homestuck Vol. 5
    • Max Wright’s track Dapper Dueling from coloUrs and mayhem: Universe B
    • Toby Fox’s Small Shock from Undertale
    • Robert Blaker’s track Ira Quod Angelus from Land of Fans and Music

Additional Annotations

  • Hey Fred Schneider, What Are You Doing? is an improv game based around doing an impression of Fred Schneider of the B52s, and saying that you are doing things. Unfortunately Alex fucked up their explanation of it and made everyone think that you actually had to be doing the thing you say. Instead of making shit up. And you should really go around in a circle; the whole point is that you don’t stop. Oh well. We’ll get it next time.
  • “One, two, three, are you feeling me?” as mentioned by Maxy is from Powerspace’s Be Aggressive. It’s easy to be aggressive if you’re fueled by ramen.
  • Maxy you gotta stop bringing up these ramen bands, I don’t know what they are
  • There are fewer annotations in an actual play episode, huh?
  • The fire escape thing Alex mentions on the second roof is really difficult to find images of. Apparently it’s referred to by a few names, a stair bulkhead, rooftop stairwell exit, building-on-roof-for-stairs. No wonder it was a bit confusing in the episode. There’s one in every anime school, if that helps.
  • A dome on a roof is called a Cupola. If it’s glass, then it’s a Cupola Roof Lantern. Architecture!
  • A lorry having ‘Woolworths’ on the side is funny in the UK because they went out of business here in like 2009. They might still exist elsewhere?
  • I PLAY THE HORNS, THE HORNS OF DEATH
  • There are 796 Superdrug locations in the UK, as of December 2017
  • ‘Maybe Eldritch Blast will push you back, like when you jizz in space,’ says Max.
  • That above one is a MBMBaM bit. I realise an unmarked link with the text ‘jizz in space’ is a risky click, huh? Sorry.
  • Bluto does the Pounce, a real wrestling move!
  • Alex just sings a line from Bittersweet Symphony for some reason.

Thanks for listening!

Roll History: Juiblex Part 2 Show Notes

Roll History: Juiblex, Part 2 Roll History

Episode art by Sami!

Oh, it’s a bumper one this time! What else would you expect from all the slime in 3rd Edition?!

Plus: You Only Drown If the Ocean Hates You, Remember Orc, Slimebody Told Me, and I’m the Teacher!

This episode’s gallery:


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists)!
  • Show logo by Alex and more incredible episode art by none other than Sami herself!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Our Sources for this one:
    • Monte Cook. Book of Vile Darkness. Wizards of the Coast, 2002.
    • Eric Cagle, Jesse Decker, James Jacobs, Erik Mona, Matt Sernett, Chris Thomasson, and James Wyatt. Fiend Folio. Wizards of the Coast, 2003.
    • Ed Stark, James Jacobs, and Erik Mona. Fiendish Codex I: Hordes of the Abyss. Wizards of the Coast, 2006.
    • Campbell Pentney. “Caverns of the Ooze Lord,” Dungeon Magazine #132. Wizards of the Coast, 2006.
    • David Noonan. Monster Manual V. Wizards of the Coast, 2006.
    • Robert J. Schwalb. Elder Evils. Wizards of the Coast, 2007.
    • James Jacobs. “Demonomicon of Iggwilv: Apocrypha,” Dragon Magazine #359. Wizards of the Coast, 2007.

Additional Annotations

  • Many of the wrestlers Alex saw do actually exist, including axe-man, Australian guy, and the Miz. Upon following up with sources, none of what Alex said about them appears to be real.
  • The Dwarves in Artemis Fowl eat the dirt and shoot it out their butts, exactly like a straw travelling over a worm.
  • Couldn’t find any pictures of Juiblex’s symbol; maybe because it’s such a shit one. Here’s a pseudopod though, so imagine that but slimier.
  • Sami’s utterance of Power Word: +44 summoned a being that will be there when your heart stops beating
  • A quick round of research reveals that if you put slime in the freezer, it just freezes. It’ll split if you thaw it.
  • Alex keeps saying ‘uh oh, stinky,’ like that stupid fucking video with the orangutan, and I’m not going to link it here (because it’s fucking stupid) but I will link this by Eggomusic.
  • The average percentage of water in a person’s body is around 60%, but this percentage can vary from roughly 45–75%. It’s not 96% unless you’re sponsored by Gamersupps. Which we aren’t.
  • Teleport without Error is, as you may have guessed, “As teleport, except there is no chance you arrive off target”. Sounds like that should have been called Teleport and the original should have been Vaguely Teleport.
  • Befoul: makes water (or other liquid) foul and poisonous. Despoil blights and corrupts an area of land. It’s sort of a Kyogre/Groudon situation.
  • WotC really did send the Pinkertons round. Not to us (yet) but still.
  • Dreyches! Are not a thing. Dretches are though. In our defense, Sami does mention typos like a minute before this, and the T and Y keys are very close together.
  • We spelled Hezrou right at least!
  • No images of Duvamil the gnome exist. Sorry.
  • Alex once again takes an opportunity to bring up Peter Gabriel; specifically Moribund the Burgermeister, the B-side from Solsbury Hill. It’s a song about St. Vitus’ Dance!
  • Artist’s impression of Darkness Given Hunger, the largest black pudding ever found (there’s a demon in it now)
  • When we reach the Fiend Folio, Sami mentions something called an Akilith. This is similar to the Dreych in that it isn’t real; it is in fact a spectre created by a typo in Sami’s notes. But an Alkilith? That’s a real one.
  • So you want to be a master of pokémon Thrall of Juiblex?
  • IN THE GOLDEN RING? We got our musical wires crossed on this one.
  • Remember Thrall from Warcraft?
  • ‘To Shame Mankind?!’ cries Alex. They’re referring to this painting; imagine instead of a woman looking irritated that you’ve caught her dipping her naked ass in the town’s drinking water, it was a cone of slime and feces.
  • Spent a little while trying to figure out why Alex said ‘Matt Smith’s in it,’ when talking about the Caverns of the Ooze Lord. Turns out it was an extension of the Morbius bit. Nobody has seen Morbius so it’s hard to remember who was in it.
  • We got a line from Miya Folick’s Get Out of My House there! Yeah!!
  • Shortly after Sami’s 100% film-accurate impression of Stuart Little, it sounds to the untrained ear like we’re both having a sort of psychotic break. But in actuality we’re referring to this video by Demi Adejuyigbe.
  • BONE?!
  • “average person encounters 3 slimes a year” factoid actualy just statistical error. average person encounters 0 slimes per year. Spiders Georg, who lives in shack atop a 400ft high monolith & encounters over 10,000 each day, is an outlier adn should not have been counted
  • The athlete’s village is on Zargon,’ from Space Olympics. That song is also why Alex constantly sings the line ‘Believe in yourself’.
  • ‘…at their genesis they have the evil of a mortal mind,’ says Sami, and Alex says ‘GENESIS’ like that one guy from Star Trek 3: the Search for Spock.

Thanks for listening!

Fulcrum: Ostinato Show Notes

Roll History Presents: Fulcrum | Ep. 2 | Ostinato Roll History

Episode art by Sami!

Join Roll History and Friends on an urban fantasy actual play adventure! Our party follows the trail in hopes of sanctuary, but just because there are angels doesn’t mean it’s safe.

Plus: Cheeky quest! Bad rolls! and Totally Normal Accents!

Featuring:

Maxy Bee as (Pickled Cowboy) Bluto Basher

Raiven Barnard as (Darling Daughter) Syllavana Perstina

Sami Gibbs as (Criminal Satyr) Quveli Carinae

and Alexandr Woodward as everything else


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists)!
  • Show logo by Alex and episode art by none other than Sami herself!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Third party stuff for this one:
    • Robert Blaker’s track –Empirical from Tomb of the Ancestors
    • Robbie WIlliams’ Angels but it’s just a bad MIDI
    • Jailbreak’s track Assail from Jailbreak Vol. 1

Additional Annotations

Thanks for listening!

Roll History: Juiblex Part 1 Show Notes

Roll History: Juiblex, Part 1 Roll History

Episode art by Sami!

Roll History is back with an unflinching look at a nine-foot-tall cone of slime, jelly, and assorted grey-and-yellow bits. We’re holding a magnifying glass to a sort of green splotch on the side. Smearing some on a finger and tasting it, and saying “yes, that’s definitely Juiblex” before immediately dying. Usual podcast stuff.

Plus: Dr. Pluffie Smedger, Centaur Overpopulation Control, an Unearthed Lost Blur Song, and Working at the (Slime) Carwash!

This episode’s gallery:


Additional Show Notes:

  • Follow Roll History on Tumblr and Twitter (if Twitter still exists)!
  • Show logo by Alex and a brand new feature for season 2 (as we’re insisting on calling it), episode art by none other than Sami herself!
  • You can find the show on Spotify, iTunes, Google podcasts, or any podcatcher you like with the RSS feed!
  • We’re also on RF 78.2 Radio Gundam with friend-of-the-show Maxy Bee! You can find that show and more of Maxy’s work over at the Bee Hive!
  • Our Sources for this one:
    • Gary Gygax. Advanced Dungeons & Dragons Monster Manual 1st Edition. TSR, 1977
    • Frank Mentzer. “Ay PronunseeAYshun Gyd,” Dragon Magazine #93. TSR, 1985
    • Douglas Niles & Michael Dobson. Throne of Bloodstone. TSR, 1988.
    • Carl Sargent. Monster Mythology. TSR, 1992.
    • Monte Cook with William Connors. The Inner Planes. TSR, 1998. (The last major sourcebook for the Planescape line!)

Additional Annotations

  • ‘It was a backdoor pilot like that one episode of Supernatural’—Alex is referring to season nine episode 20, “Bloodlines“. It was bad even for an episode of Supernatural.
  • Sami’s character Quveli:
  • Demons and Devils are not the same! Look!
  • On terrines and filo pastry.
  • ‘The Legend of Korra: she went into the city, and they had cars there!’ ‘She’s bisexual!’ This is the voice we’re doing. Sorry.
  • Juiblex’s new friend from that one Dragon magazine might be Turaglas the Ebon Maw? Or maybe not. We found mention of him in an article by Ari Marmell in Dragon 312 (Sep. 2003), and then the same article again but with minor tweaks for 4th edition in Dragon 376 (Jun. 2009)! Juiblex was not in attendance!
  • Noisome adjective (literary): having an extremely offensive smell.
  • Bowling for Soup’s 1985 sure was on Kerrang a lot. We learned while writing these notes it was originally by SR-71, a band neither of us have ever heard of? Both original and cover were released in 2004; what a quick turnaround!
  • Alex’s review of Dungeons & Dragons: Honor Among Thieves on Letterboxd
  • You know, Coldplay?’
  • Whenever black pudding is mentioned and Alex says ‘Black pudding’s very black today mum’, this is what they’re referencing. They cannot help it.
  • ‘It fugs, does it?’ says Alex. You should read Going Postal.
  • The mugato (alternatively pronounced mogatumugatumugutu, or even gumato) was a large, horned, ape-like carnivore, native to Star Trek, that had the “strength of ten men” and a bite that was poisonous to most humanoids.
  • Manes are indeed a type of demon or monster. They’re like the demonic equivalent of cows, just milling about all day not doing much.
  • Once again we spiral into Northern Boys lyrics. We cannot help it.
  • A diatribe about Pipes of the Sewers, and whether or not they are actually useful in a modern setting. Vote now on your phones.
  • Actually Gucci was a person, named… Guccio Gucci? Seriously?
  • Who is Soulja Boy? And what in the heck is that dance?
  • Aboleths: ‘Those big nasty dolphins that are older than time itself’. They really do care a lot about being sufficiently moist, which—same?
  • Ordure noun (literary): stinky poo-poo.
  • Sami’s Gary Gygax impression is just like bart! (according to her)
  • Whenever we bring up the molecular theory of light that’s a reference from alllll the way back in our Displacer Beast episode. Simpler times.
  • Alex quoted Gilbert Gottfried’s reading of 50 Shades of Grey, for some godforsaken reason
  • Why does Alex keep saying ‘Characters Welcome’?
  • Tell me the name of god, you fungal piece of shit
  • We were confused by the term ‘Tanar’ri Basher’—apparently ‘basher’ is a term specific to Planescape, and refers to just… anyone. “Basher: A neutral reference to someone. Usually but not always implying a thug or fighter.”
  • Sure would be nice to have a picture of Bwimb II, but nope!
  • As it happens, Archomentals, also known as Elemental Princes or collectively Princes of Elemental Good and Evil, were powerful beings of the Elemental Planes and rulers over the elementals. Apparently.

Thanks for listening!

Caliber Session 22: The Lóng Con, Part 3

[New approach on this one. Tried to keep it briefer.]

Merlin, Ursa, and Nora—along with Amyll and Rembra, talking between themselves—follow the red Dragon, who’s now barging through the crowd. Other attendees are avoiding him, meaning he’s either a force to be reckoned with or very annoying.

Above, Merlin spots a pigeon and, suspicious of the fact it keeps making eye contact with him, begins messaging it. He learns that the pigeon is in fact Caesura, who has ostensibly faked her death.

‘I wanted out,’ she says. ‘So, I let him think he was strong enough to defeat me in single combat. Of course, he was not.’

‘Okay, but why are you a pigeon now?’ asks Merlin.

‘Stupid question. Because I am an Angel.’

‘Sorry?’

‘It is a thing Angels do. You see flock of pigeons in the street? A good five to ten percent of them are Angels, believe me.’

‘Oh. Well, uh, that’s… good. Listen, Caesura, what are you doing still here if you wanted out?’

‘I am trying to help you. I would like to see Benzene defeated, so I can reunite with my loved ones.’

Merlin finds his eyes narrowing. ‘How do we know we can trust you on that?’

‘You worry I still work for the Demon? Hmm. Have you discovered his additional sense yet?’

‘No. He’s played it pretty close to the chest.’

‘Then I will tell it to you. If Benzene has spent more than one hour with a person, for the following seven days he can share their senses. See what they see. Hear what they hear.’

‘Oh Christ.’

The pigeon nods gravely. ‘He must focus his attention to do so. And I believe he can only do one person at a time. Like security camera.’

‘It’s a good thing we’re communicating with magic rather than actual sound, then. Listen, speaking of security… I’m going to need a favour and you’re just the bird for it. Can you create a distraction for me in the security room up there?’

‘Hm,’ says Caesura, tilting her head to regard the window. ‘Yes. I can do this. But you will owe me favour in return, yes?’

‘If I get out of this alive, sure.’

Ursa and Nora have split from the two demons who are following Carinae. They go to talk to Laniakea back at the bar. She’s of course still very drunk, and when asked she explains a bit about the red Dragon with the eyepatch and the less than stellar opinions on her.

‘Ha,’ she slurs, despite the word “Ha” not being particularly known to feature sibilants. ‘Eta Carinae is a child. An upstart. Forty years ago he challenged me to a duel, do you know this? Riding on the coattails of his Father. Or Grandfather. I don’t remember which. Eta Argus.’

‘I think he’s both?’ adds Adagio, before leaning in to add a whispered addendum. ‘Uh, Dragons that want to procreate craft eggs out of parts of their hoards. Often by committee, with multiple parents donating items to craft with. It’s. It’s complicated.’

They’d spotted a display of swords provided by one Eta Argus on their way in. Any Dragon who’d managed to be the leading collector of something as ubiquitous as “swords” must be extremely powerful indeed.

‘Yes, Argus was, and is, what you teens would refer to as hot shit,’ agrees Laniakea, when this is pointed out.

‘Oh, we’re not teens—’ begins Ursa, but the Dragon isn’t listening.

‘Carinae has been struggling to choose a topic for his hoard for the past two centuries,’ she says, swirling around a glass of blue liquor. ‘He challenged me to a… challenge. To try and take my hoard subject. He wasn’t even really interested in doomsdays, he just thought it would make him seem cool. He is a poser.

‘The duel itself was like a, like a lamb fighting… a Dragon. Named Lanieakea. He was pathetic. Even more so when I let him live afterwards.’ Laniakea smiles. There’s entirely the wrong kind of joy in it.

Adagio is looking uncharacteristically stern. ‘This was before we’d met,’ she tells them. ‘Lania was… worse, then.’

Laniakea’s expression quickly shifted to one of dismay. ‘I let him live!’

‘Yeah, to humiliate him.’

‘Well. Yes. But, you were telling me about the human philosophy. The outcomes of the action are more important than my motives.’

‘Babe I didn’t teach you about utilitarianism so you could use it to justify torture over murder.’

‘I did not torture him!’ cries Laniakea, aghast.

‘You pulled out one of his teeth.’

‘Yes, as a trophy.

Adagio raises her hands to make a few little grabbing motions, before giving up. ‘Babe that’s worse,’ she says. ‘You see how—’

Ignoring her protests, Laniakea drunkenly lets slip about the hiring of Nora’s sister being a potential way of recruiting Nora herself to Open Sky Capital. She says that with just a bit more supervision, they probably could have got the Infernomicon back without any fuss.

She also offers to keep Nora’s gun in her hoard for a couple weeks so it can steep in magic, but Nora is suspicious. Also she talks about several zoom calls with Queen Titania that have lead her to see Ursa as too volatile to hire, and Merlin is obviously attached to the Institute with his website, so he’s a no-go.

‘Hold on, go back,’ says Ursa. ‘Zoom calls with Titania? Queen Titania?’

Laniakea waves a hand, sloshing a bit of her drink onto the floor. ‘Yes? We chat.’

‘You and the Summer Queen… chat? And I myself have come up as a topic?’

‘Yes, yes. My Draconic allies are few, but I have many connections.’

Ursa is becoming slightly manic at this point. ‘Okay but why would you possibly be talking about me?’

‘Titania has…’ Laniakea hesitates as she plumbs the depths of her mental thesaurus. ‘Peculiar tastes.’

I’m sorry?!’

‘I believe she views your life and—’ again the hesitation, ‘your romantic escapades as something of a… soap opera.’

Here, Ursa looks to Adagio for support, who simply nods her head.

Ursa feels a stress headache coming on. ‘Oh my god,’ she says.

Merlin, meanwhile, has gone to speak with Merensky and learns a bit about Carinae wanting to make a deal with her probably. People think she’s eccentric because of how powerful she is and yet she sits in a museum by herself. She talks about shit a lot, and calls Carinae a haemorrhoid. Merlin gives her a little clockwork robot as a no-strings gift, and she actually shakes his hand.

As he leaves, Ursa and Nora turn up. So do Rembra and Amyl, who say Carinae is coming this way. They don’t have long to make the swap, because if he gives whatever’s in the briefcase to Merensky they’ll never get it, and even if they could it’ll be “stamped” as part of a hoard and much easier to track. Ursa is unfortunately still mortified about zoom Titania. Perhaps not thinking very clearly, she decides to transform into Merensky, after stealing a jumper from a dragon who hoarded jumpers. She doesn’t actually remember if Merensky was wearing a jumper, but the pink suit is probably a bit conspicuous.

It’s at this time that Caesura goes to create her distraction. Merlin sees the pigeon in the security room, flying around and pecking at people’s heads and shitting and just being a general nuisance. He sprints up to put the security cameras on a loop and turn off the alarms with mage hand. He is undetected. Caesura, too, flies out.

Ursa-as-Merensky intercepts Carinae before he spots the real deal, and says they should talk backstage.

‘Why on the stage?’ asks Carinae.

Ursa racks her brains. Queen Titania has taken an interest in my fucking sex life, she thinks. Out loud, she says ‘You’re clearly about to try and bribe me,’ pointing to the briefcase. ‘Wouldn’t you rather not embarrass yourself in public when I tell you no?’

Carinae almost manages to hide his initial obsequious reaction. ‘Oh, I’m sure you’ll be interested in what I have to offer when you see this case’s contents.’

Did negging him just work there? Ew. ‘Sure thing, boyo. Come on then.’ “Boyo”? Get it together, Ursa. What would Titania think! Oh god.

Merlin and Amyll follow as Ursa and the Dragon walk away, but Rembra has disappeared so Nora splits from the group to see what she’s up to. As it turns out, Rembra is making her way back to the bus, with Nora in tow unrumbled.

She sees Rembra go to open the door. Only Phency is visible on the bus. And then Nora feels the barrel of a gun being pressed to the small of her back.

‘Now, Nora, did you really think I wouldn’t be paying attention?’ says Benzene from behind her. ‘Why don’t you come inside.’

Back in the convention hall, Carinae opens the briefcase after Ursa gets him talking (he wants to get Merensky’s support in his “upcoming venture”) and reveals what’s inside.

Posing as an expert on clockwork, Ursa can’t just ask what it is. But she manages to phrase her way around it. ‘Is that what I think it is?’

It looks like a heart, made of brass gears and arms, its valves and chambers not quite glinting in the backstage lack-of-light. Softly, it beats, ticking away as the sprockets move. As it expands, the gears separate and touch others, spinning in reverse to make the thing contract.

And there’s something else, something more intangible. It glows from within, as if by daylight seen from the bottom of a deep well. From an arcane perspective, it looks unfathomably dense. Leaden with puissance.

‘A clockwork heart and soul,’ breathes Carinae, equal parts smug and reverent. ‘I thought you might be impressed.’

‘Where did you get it?’ says Ursa, forgetting her character for a second.

A short way away, behind a curtain, Merlin and Amyll are waiting to duck in and make the swap. ‘Do we even need the copy now?’ hisses Merlin.

‘It’s a bit risky to just assume he’ll leave after handing it over,’ whispers Amyll. ‘We don’t want him coming after us until we’re in the clear; the copy buys us time.’

‘Alright, where is it then? You’ve seen it and the case now. Get to fabricating!’

‘It’s—going to be hard to copy something like that, Merlin. I’m working on the formulae now.’

‘Just do the briefcase.’

‘No! There’s too much power in it, if I just put a weight inside it’ll be obvious. I need something just… similar. Stop distracting me.’

Merlin shakes his head and readies a spell with which he can blow out the lights. It should be a sufficient distraction. For Carinae, not Amyll.

Carinae is looking very pleased with himself when he answers Ursa’s question. ‘Oh, I made some deals with some… explorers. Dangerous men,’ he adds. ‘And speaking of danger, this particular item is an incredibly potent one. It belongs to the director of the Caliber Institute.’

Ursa takes an involuntary step back. She tries to cover her shock but the reveal of just how important this thing is is too much.

‘I can see you’re impressed,’ says Carinae.

‘Oh, yes,’ says Ursa, attempting to regain composure. ‘I love the, uh—springs. Always my favourite bit of a heart.’

Carinae squints with his uncovered eye. It seems he’s getting suspicious.

Over on the bus, Benzene is holding Nora at gunpoint, but is otherwise polite and affable, if a bit oily. Same as always.

‘Now, Nora, you’re obviously a, ah, smart cookie. I’d wager you can see which way the wind is blowing. How would you like to… hmm. To get out of all this with a few new business connections? To be your own boss?’

Nora looks from him, to the barrel of the gun he’s holding, and back again. ‘I’m popular today… If you’re offering me a place on your crew, I’m fairly sure that would make you my boss. And I can’t say I’m impressed with your office culture.’

‘What, you mean the filth on Rembra’s phone?’ asks Benzene.

This gets a vague grunt of amusement from Rembra herself.

‘No,’ says Nora. ‘I mean Merlin’s mum. The whole kidnapping, hostage-taking thing.’ She nods towards Merlin’s father, sat incredibly still just a few seats behind Benzene.

‘Oh, that?’ says Benzene, holding her gaze without blinking. ‘If you don’t like us keeping hostages, you should have just said so!’

He shoots Merlin’s father in the forehead.

Nora rises from her seat but freezes as she sees Albar—or, the fabrication she’d thought was Albar—unravel in a spool of dark red threads.

Rembra chimes in at this point. ‘Yeah, we needed a tech guy for the job… and a fall guy. And I was still pretty pissed off with Merlin for laughing at my cover story. So we decided to get a little leverage on the guy.’

‘Yes, thank you, Rembra,’ says Benzene, obviously a bit put out at his monologue being interrupted. ‘Amyll is really quite something with her fabrications, though I did worry a little you might notice him not moving when she wasn’t, ah, piloting the thing.’

‘Merlin only came here because his dad told him that… do you even have his mum?!’

At this point, Benzene looks rather like a proud parent at a school play. ‘It’s like Rembra said. Leverage.’

Nora mentally tugs at the magic in her Mountebank jacket, but hesitates. ‘I thought Amyll couldn’t make fabrications without the real deal to study?’

Benzene cocks his head, and smiles. For a moment he seems ready to give a little golf clap, but there’s a gun still in his hand. Nora, sensing that time is running out, uses her jacket and teleports away.

Merlin, hiding backstage, feels his phone buzz. He shuffles away from the concentrating Amyll and answers it, without actually saying anything.

It’s his Mother.

‘Sam? Are you there? Look, it’s a bad signal, but… your dad’s not round at yours, is he? He didn’t come home last night.’

‘…I’ll call you back.’

‘Sam, don’t you hang up, this is—’

Merlin blows the lights.

A shower of sparks rains down, planting the idea of fire in the stage curtains. The smell of the air tilts just slightly towards the smell of smoke. The flash and sudden darkness sends Carinae whirling to find its source, only to have Merlin’s Unseen Servant wrench the briefcase from his hands.

He turns again to follow the case, and thus the retreating Merlin, only to have Ursa take off her stolen jumper, stuff it over Carinae’s head, and push him to the ground before running off. She puts her usual face back on… and stops a little way away.

The fire is spreading on the curtains; dirty black smoke billows up to obscure the ceiling. But the Dragons don’t seem to care. After all, no evacuation order has been issued. The alarms have been disabled.

‘You know, it’s possible to take the whole Order thing too far,’ mutters Ursa. Sure, heavy hitters like Pyrite and Carinae’s Dad/Grandad would shrug off a burning building without so much as blinking. Carinae would probably be fine. But there was non-Draconic security, and younger, less-respected Dragons that might—

That settled it. Ursa reaches out with Bardic power and lashes the massive screen above the stage to her will. It had been broadcasting the countdown until the ranking announcements due to happen onstage, but this crackles out of focus as Ursa’s friendliest smile appears onscreen.

‘Excuse me, Draconic attendees!’ says Ursa, in her best like-and-subscribe delivery, hearing the giant televised version of her do the same. ‘There has been a fire, as I’m sure you can see by the smoke around this announcement. Can everyone please calmly make their way to the exit?’

Nora blinks into existence back in the hall, to see multiple calm lines of evacuating Dragons, as well as a hurrying Merlin and Ursa. Amyll bustles up and holds out her hands before Nora can open her mouth.

‘Merlin!’ says Amyll. ‘Give me the heart, quick! We’re almost clear!’

But Nora speaks over her. ‘Merlin, listen, about your Dad—’

I know,’ says Merlin, and fires a point-blank Lightning Bolt into Amyll’s outstretched arms.

She skids backwards, eliciting some mild annoyance from the Dragon crowd. For a moment it seems she’s going to retaliate, but instead she pulls out her phone.

‘No you don’t,’ says Ursa, and puts some power in her next Command. ‘Drop it,’ she says. ‘Benzene can stay outside, thanks.’

‘I’m sure he knows already,’ says Merlin. ‘He’ll be watching.’

‘What?’

‘I’ll explain in a minute. Come on. We have to get this to the Institute.’

‘But what about your Mum? And your Dad’s still in the—’

‘I’ll explain in a minute!’

In the day’s single point of good fortune, Laniakea happens to be passing by at just that moment.

‘Laniakea!’ says Merlin, moving over and taking a deep breath. ‘Listen. We need your help.’

Laniakea appears unmoved, but something about Merlin’s voice makes her stop to listen. He sounds almost humble.

I need your help. We’ve found something here, something more important by far than anything we expected, and we need to get back to the Institute. My Dad’s in trouble. But we need to get this to Brynner, it’s… more important than me. But I don’t know how to get there in time without your help. So—can you help us? Please?’

Laniakea eyes him. A pinstripe of smoke whistles out from her left nostril. Her mouth opens.

‘I do not particularly wish to mill about in the parking lot while a fire is put out. So yes. I will help you.’

They move.

Rembra blocks the path out, but Nora knocks her on her ass with an Eldritch Blast before she can even get a word in. Laniakea transforms so she can carry them. Adagio casts a spell to make them invisible, just like when they first met.

‘But what about your Dad?!’ repeats Ursa.

‘That’s the thing,’ says Nora, ‘That wasn’t him on the bus. It was a fabrication.’

‘Yeah. I’d suspected that,’ Merlin agrees, holding onto one of Laniakea’s spines for dear life as the Dragon approaches the sound barrier. ‘I’d never have been able to shut off an engine my Dad was supposed to have warded like that.’

Ursa thinks back. ‘Actually, Amyll always did go pretty quiet whenever he was speaking. Makes sense, if she was puppeting him?’

‘Yeah. But she told me herself, she needs to study the real deal to make a proper fabrication.’

‘Which means it wasn’t your Mum they took.’

Merlin nods. ‘Yeah. Speaking of whom… I have to make a quick phone call.’

Caliber Session 21: The Lóng Con, Part 2

‘To be frank,’ said Laniakea, ‘I am not here because I want to be.’

It was true. The conference, being the principle way Dragons established their hierarchy (via hoard-show-and-tell), was the sort of event that one would probably avoid if they had recently, say, had an incredibly powerful item—some kind of Infernomicon, for example—removed from said hoard. Especially with the kind of reputation, and thus enemies, Laniakea had already.

She’d taken the three into her own security trailer, which was considerably smaller than the one Benzene had brought them along in. It had a similar layout, but with a conspicuous lack of security personnel. In fact, apart from Merlin, Ursa, and Nora, the only other people were Adagio and Laniakea herself.

‘I know not how your Director knew of my intentions to attend, despite it resulting in my loss of stature. I am nevertheless grateful for his loaning of yourselves,’ Laniakea went on, moving over to a cabinet made of deep brown wood that looked totally out of place. ‘I have security staff that I do not trust to guard me in the state I shall be in after this.’

Ursa shifted nervously. ‘You think something’s going to, uh, happen at the event?’

‘No. I think they would stab me in the back once my power is reduced. As such they have been… let go.’

See, since Dragons are so deeply aligned with Order, and their hoards are the method by which they rank one another, a Dragon’s personal power is tied directly to that ranking. The intensity of their breath weapons will ebb and flow based on how many other Dragons agree that their hoard is in the top ten, for example. Some might say that reversing cause and effect in this manner isn’t very Ordered at all, but oddly enough, nobody’s ever said this to a Dragon’s face for some reason.

Of course, Merlin, Ursa, and Nora didn’t know this. They probably just took it as another of the slightly deranged things Laniakea said sometimes. And oddly enough, nobody wanted to say so to her face for some reason.

Laniakea retrieved a snifter from the cabinet along with a large bottle of what looked to be brandy, and began to pour herself a glass. ‘The event is starting now,’ she said. ‘Shameful as it is, I am… feeling trepidation.’

Adagio piped up as Laniakea gulped down her drink. ‘Lania, we’ve got a whole group now, so it’s not like we’ll stick out too much. And we already agreed we’d just stick around for the actual ranking and then get going home. I promise it’ll be over before you know it.’

‘I should have sent a proxy, like Merensky always does,’ said Laniakea over the glug glug glug of her glass refilling.

‘You said the only proxy you’d trust would be me. And there’s no way I’m going in there by myself, with all those weirdoes.’

‘Draconic society is highly refined.’

‘What if one of them collects Angels though?’

Laniakea took another sip of brandy. ‘Hoards cannot consist of living creatures. You cannot “own” them. Even if Pyrite skirts the bounds of that.’

In response to this, Adagio just blinked very slowly. ‘What if one of them collects dead Angels?’ she said, eventually.

‘Actually,’ interjected Nora, seeing an opportunity, ‘Part of our role as security consultants would involve reconnoitering the venue and attendees. We could go and find out what the other Dragons have brought?’

The Dragon and Angel turned to regard her.

‘Especially Mr. Pyrite?’ she tried.

This got a nod from Laniakea.

‘Wait, Nora,’ said Merlin, ‘Maybe you should stay here with Laniakea? Have a few drinks together, get her feeling a bit more at ease?’

Nora gave him a hard stare, but Ursa cut in before she could say anything. ‘Hey, let’s not split the… security team.’

‘What the fuck, Merlin?’ said Nora, when they were safely outside and out of earshot. ‘Are you trying to get rid of me?’

‘No, not at all,’ said Merlin. ‘I’ll explain later. Really,’ he added, when Nora kept on glaring at him. ‘Look, Pyrite’s over there in the queue. You’re the one with the working relationship with him, so Ursa and I will head back to Benzene and check in, while you try to find out if his presence complicates the job.’

‘And we can hopefully reassure Laniakea, too,’ said Ursa.

‘Laniakea is at the very bottom of my list of concerns today,’ said Merlin.

And so, Nora went over to speak with Mr. Pyrite as the other two doubled back. He seemed not at all surprised to see her; a wide smile spread across his face at her approach.

‘Nora, as I live and breathe! What brings yourself to our humble li’l convention?’

Nora took a deep breath. ‘Actually, I’m here with Laniakea.’

Pyrite’s smile only widened. ‘Laniakea is actually attending in person? Well, bless her heart, what a trooper.’

‘Mm,’ said Nora. ‘Look, I wanted to give you a word of warning. Maybe it’d be best to hang fire on showing off the book you stole?’

This finally wiped the smile away. Mr. Pyrite glanced around surreptitiously. ‘Now, Nora, I’d be much obliged if you’d keep your voice a little lower, ‘specially if you’re making such spurious claims. However, I do see your point, and I’m delighted to reassure you that the item you are referring to is not a part of my hoard. I believe it was dropped into another world at random. Where would I have found the time to go looking for it?’

‘Then in that case—’ said Nora, before noticing who Pyrite was with. She hadn’t recognised her at first, since she was dressed in a smart blazer and pencil skirt, with her hair back in a neat, high bun instead of the natural afro it had been previously.

Minette gave her a smile without showing the greens of her teeth.

‘Alright, she definitely can’t be here,’ said Nora. ‘That’s just asking for trouble.’

Mr. Pyrite seemed unintimidated. ‘Should Laniakea have a problem with my secretary, or indeed anyone on my staff, I am more than willing to step up to bat on their behalf.’

Seeing Nora’s gaze, he rolled his eyes at his own theatricality. ‘It won’t come to that, though. Laniakea and I aren’t in the same, ah, weight class any more. Or, we won’t be in an hour or so.’

‘Why?’ asked Nora, carefully. ‘What have you brought?’

Pyrite checked again for eavesdroppers, then leaned in. He retrieved a single sheet of A4 paper, neatly folded in his breast pocket. ‘Now, you understand this only a representation; the full thing is on around 250,000 sheets in a storage container back home.’

Nora peered at it. It was covered in tiny, cramped handwriting, without any spaces. Just a series of four repeating letters. ‘Is that…?’

‘The human genome,’ said Mr. Pyrite. ‘Written out, by hand, by one of the contributors to the project that finally mapped it out. As far as true names are concerned, said name belonged to them. And now it belongs to me.’

‘Said name being… the true name of the entire human race?’

‘Ain’t it something special? I reckon I might give ol’ Merensky a run for her money this time.’

As Nora made her excuses, Pyrite looked her dead in the eye. ‘Now you look after youself, y’hear, Nora? I wouldn’t want to waste an investment.’

‘So, what was that about back there?’ asked Ursa.

‘What?’

‘Merlin. I’m worried about you. You’re on edge, and I understand that, but even before this you’ve been, you know, blowing up chimneys and stabbing old ladies, and now it seems like you were trying to get Nora killed?’

‘What?’ said Merlin again. ‘Oh. No, I just thought it’d be a good opportunity to get some information. And Nora seemed like the best candidate to keep up with a Dragon on drinks.’

They’d reached the bus, but Ursa hesitated. ‘I guess?’ she said. ‘But I dunno, it just seems like you’re taking all these risks and not caring about the consequences. I don’t want to see you getting hurt.’ She stepped up as the doors opened. ‘Or hurting anyone else.’

Inside, Benzene Petcoke stood, panting and iridescent with sweat, over what was left of Caesura. His hands were stained red. His sleeves, though, were clean.

Caesura was not. Had it not been for her clothing, Ursa thought she might not have recognised her. Benzene gave the body another hammering blow for good measure.

Then he straightened up, getting blood on his tie as he adjusted it. ‘She wanted out,’ he said, to Merlin and to Ursa. ‘I accepted.’

‘When Rembra came back and reported that Laniakea was onsite, and we’d have to modify our approach,’ stammered Merlin’s father, once they’d found him making himself small on a back row seat. ‘Caesura got up and made for the door. Said that even if Benzene had hostages, that wouldn’t do any good if she got killed herself. And, uh… he didn’t take it very well.’

‘Are you kidding?’ came Benzene’s voice from the front. He was wiping his hands with a moist towelette. ‘I took it in stride. See, I didn’t even use my spear. That’s called restraint.’ He winked at Amyll, then turned to address Phency, who apparently hadn’t noticed the corpse yet. ‘Can you get rid of that?’

Phency did, as Benzene sat himself down and began to theatrically ponder up a new plan. He even put a fist to his chin in traditional thinking pose.

The door opened. It wasn’t Phency back from his somewhat macabre errand, it was Nora, who stood quite still and looked pointedly at the bloodstain in the aisle.

‘Someone having a bad day?’ she asked.

‘There’s been a change of plan,’ was Benzene’s response. ‘Amyll will be going in with our three Caliber guests. Since we no longer have our solution for the wards on the entrance, you’ll use that green Dragon you’re apparently already acquainted with to get in as “official” security.

‘Amyll, you’ll be making the counterfeit on the fly since we won’t be able to smuggle it in anymore.’

‘Benzene, I don’t know if—‘

‘You’ll do great,’ said Benzene, and that was the end of it. ‘Rembra, you’re still going to be needed to even find our target, which means you’ll need to find a way in separately. We don’t want the Dragon recognising the mole from her workforce.’

Merlin glanced at his Dad, who’d stopped cowering and had gone alarmingly still. ‘How did you know we told Laniakea we were here as her security?’ he asked.

Benzene only grinned. ‘It’s hardly much of a leap, Merlin. Has anyone ever told you you’re too suspicious? Or that you take too many risks?’

Ursa recoiled at this ever so slightly.

So it was that the three of them, plus Amyll—introduced to Laniakea as another Caliber agent—approached the main entrance with a soon-to-be-disgraced green Dragon and her Angelic plus one. Amyll had already fabricated suits in the style of the other security guards (plus a hot pink one for Ursa), and they kept close to their ’employer’, again in the style of the other guards.

The proximity worked out quite well, as Laniakea clearly had a lot more liquor in her cabinet and occasionally needed propping up.

‘Alright,’ said Merlin, catching up. ‘We should be on the digital list. Hopefully Laniakea will have enough… cognizance to convince the door staff to let us through the wards.’

Both Ursa and Nora ignored him. Ursa was in the process of texting Alkahest for info on Benzene—no luck—and Nora had just learned that her attempts to get info from the Caliber servers via Morris had been thwarted by some sort of digital labyrinth trap, that her patron was now somewhat stuck inside.

‘Yes, let’s hope so,’ said Amyll, presumably in an attempt to keep him from feeling neglected.

They were next in the queue. A doorman at a desk with a laptop hastily set up on it besides a potted plant, and a doorman standing by a large monolithic doorway with faintly twinkling runes. Both doormen eyed them with professional suspicion. The potted plant made no comment.

‘Laniakea and uh… entourage,’ provided Adagio.

The laptop doorman nodded. The monolith doorman gestured for them to step through.

After Laniakea and Adagio made it through unmolested, next was Merlin’s turn. He stepped forward… and stopped. Trying to push through the doorway was like pushing through plastic wrap. His nose even pressed flat against the rest of his face.

‘Sir, could you step aside please?’ asked the guard. His hand had gone to the softly humming knife on his hip.

‘…What. Is the meaning of this?’ asked Laniakea, staggering back towards the commotion.

‘It, uh, won’t let me through,’ explained Merlin. ‘We might have been missed off the guest list.’

A matchstick-thin wisp of green gas escaped from the corner of Laniakea’s mouth, the alcohol on her breath mixing with it for even greater potency.

‘Actually, Ma’am,’ began the guard.

Then Laniakea was in his face, and writhing tendrils of her breath weapon had billowed out around him. ‘I see how it is. This event. I was not supposed to be attending, was I?’

‘Uh. Uh. I don’t know, Ma’am? I’m not in charge of the guest list…’

‘You assumed I would cower atop my empire, like a babe ripped from the royal breast.’

Adagio tried to waft away some of the gas. ‘I’m sure he didn’t think that, babe. Like I can almost guarantee that’s not a thing he thought.’

Laniakea was in full nihilistic fury, though. ‘And now, your little gate would bar us entry? Cast me as a pauper outside the banquet hall, one who should be content with scraps from the table?’

The cloud of gas had reached the man’s collar now. He was sweating, or crying, or both.

‘Merler. Merlo. Mer.’ She huffed out another poisonous breath and gave up. ‘Small Gnome. Go around the gate. These fools have brought a gate which is too narrow for the corridor.’

The laptop guard chimed in. ‘Ma’am, it’s not a barrier, it’s just a way for us to check—’

Laniakea gnashed her teeth and ignited the gas, along with the doorman’s shirt and trousers. He began to roll on the floor and rip them off, as Lanakea stepped past and the others followed without further scrutiny.

The laptop guard tipped the potted plant over his compatriot, damp soil putting out the last of the fire.

‘Why’d you have to say that, Paul?’ asked the now-charred monolith guard.

The other one just shrugged.

Inside the convention centre proper, hundreds of Dragons and their security details milled from stall to display to meet-and-greet. It really was like a proper convention.

They eyed a display of swords that absolutely thrummed with esoteric power. Several other Dragons were inspecting the selection, discussing the exploits of the one who’d provided them.

KINDLY LOANED FOR THIS DISPLAY BY ETA ARGUS, read the card on their stand.

‘You can see on this one he only added it last Tuesday,’ said one of the onlookers, referring to a detail invisible to non-Draconic eyes.

‘Yeah, and according to the metadata he’s already killed eighteen people with it,’ said another. They all laughed.

‘Ugh,’ said Laniakea. ‘We are early. I’ll be at the bar until the ranking.’

‘Wait,’ said Ursa, ‘Do we need to come with you then? As your security?’

Laniakea slowed her absconding. ‘I will reveal to you a secret. Pink one. The legions of security personnel that each Dragon here has to guard them? Pageantry. You are here for show. And I do not intended to be noticed. You can amuse yourselves, I’m sure.’

And then she left, Adagio in tow, pushing past a shorter Dragon who seemed to be about to ask to chat with her. They could, indeed, amuse themselves.

‘Sup, dickfish?’ came Rembra’s voice.

‘So, you got in,’ said Merlin. Then, ‘Hold on, “dickfish”?’

‘I’m diversifying my lexis.’

‘Oh. Well, shut up. I’m trying to spot the alarm panel.’

‘Why?’

Earlier, Merlin had added a code to the hall’s fire panel that when entered would totally disable the alarms. ‘Just in case,’ he said, omitting the important parts.

As they walked around, seeing the same shorter Dragon now showing Mr. Pyrite a rune-etched candle and asking if he’d be willing to add his breath to her hoard of flames, seeing an athletic-looking Dragon with antlers holding a Q&A about his hoard of bottled shipwrecks, and ignoring another who tried to show them his hoard of telephones, Amyll decided to provide a fun fact.

‘You know, with my smelling of how old things are, that actually does apply to the Dragons here. I know their power corresponds to their standing, not their age, but there is a correlation.’

She slowed down a bit. ‘And… that woman there might be the oldest Dragon here.’

Said woman was calmly sat at a table groaning under the weight of clockwork upon it. Mostly timepieces, but with the occasional more obscure curio like a music box or orrery. As they watched, a little window in one opened to emit a cuckoo made of glass or crystal or psychic energy.

‘You’re staring,’ said the Dragon. ‘Interested in timekeeping?’

Merlin, finding that nobody else seemed to want to reply, took the lead. ‘Uh, I do have a more than passing interest, but we’re actually here at the behest of Laniakea. Securing the area and all that.’

‘Ha! Laniakea’s here, then, is she? Is she sulking?’

‘You might say that, uh…?’

‘Merensky,’ said the Dragon. When none of them recoiled or bowed down, she continued: ‘the Platinum Timekeeper.’

‘It’s a pleasure,’ said Merlin, failing to react to the title. He held out his hand in formal greeting, but this only got a look from Merensky.

‘I wouldn’t risk that, if I were you,’ she said. ‘That’s speaking as someone with a soft spot for Laniakea. Wouldn’t want to damage her staff.’

‘Is that a threat?’ asked Nora, as Merlin’s hand retracted.

‘No, no, of course not,’ said Merensky, with a genuine, friendly smile. ‘Just a risk. But fuck off for now, yeah? Tell Laniakea to come visit me in Upton.’

They did, heading back towards the opposite side of the convention where the stage had been set up. There was a lot of ground to cover, and they still had to find—

‘Will you watch where you’re going, you diminutive little creep?’

Merlin stopped, plastering a look of polite serenity on his face. These were Dragons, even if it was the most stressful day of Merlin’s life. So far.

The Dragon responsible for this outburst had, ironically enough, not been looking where he was going, and instead craning his neck to make out as many different stands and displays as possible.

He was short, though obviously not as short as Merlin-the-actual-Gnome, and his skin was an unnatural red that was only growing hotter and brighter. Over his right eye was an eyepatch, the strings of which went back into his carefully quaffed hair.

Merlin eyed his designer stubble and furious snarl.

‘Sorry about that?’ he tried, diplomatically. When this didn’t quell the rising fury, he added, ‘…sir?’

Still nothing.

‘We’re actually here with Laniakea,’ continued Merlin. ‘If we’ve caused offence you’re more than welcome to take it up with her.’

This, this got a reaction. For a brief second, the Dragon looked ready to drop his humanoid form and tear the Gnome apart; a sludgy wave of heat rolled over them like they’d opened the door of a dirty oven. But the fire was quenched as quickly as it had been aroused.

‘Pah,’ said the Dragon, hefting his briefcase and storming past. ‘I don’t have time for infants. Much as I’d like to teach Laniakea a lesson by taking her minions away. Where the hell is that platinum hag?!’ He continued his muttering as he vanished into the crowd.

Merlin glanced towards Ursa. ‘See? I’m an absolute master of restraint, thank you very much.’

‘Does he have beef with Laniakea or something?’ wondered Ursa.

Nora didn’t reply, though. She was looking towards Rembra, whose nose was twitching like she’d just got a nostril full of cartoon pepper. ‘That’s our guy. He’s got the thing we want to steal.’

This got a resounding cry of despair from all present, but the loudest came from Ursa and Nora respectively: ‘Nooooooooooooo,’ and ‘Fuck that guy’.

Caliber Session 20: The Lóng Con, Part 1

There’s a minor risk of fire in Merlin’s beard. His hands shake as he grapples with the urge to strangle the Demon talking at him until it stops smiling. If his father hadn’t stepped in, there’d be literal thunder in the air.

‘I can absolutely guarantee that your dear mother is in no danger whatsoever right now,’ says the Demon, pleasantly. ‘I certainly don’t want to cause any harm. It’s merely a bit of insurance considering your, ah, history with people such as myself. And rest assured, any members of the crew—including parental figures held as collateral—will receive their cut, same as everybody else, if they do their part and make it to the end of our upcoming little escapade.’

Merlin is too angry to pick up on precisely how vague this statement is. Or, if he does, it doesn’t seem important at the moment. ‘Fine,’ he says, barely parting his lips. ‘But I am here against my will. Don’t forget that.’

‘Oh, I won’t.’

Taking in the surroundings, Merlin counts heads again. Five in total, not including him and his dad. Or, Merlin supposes, his mum, presumably tied to a chair somewhere and guarded by god-only-knows what Infernal monster.

His hands are shaking again.

‘So,’ he says, adjusting his beanie, to give said hands something to do. ‘Who the fuck are you?’

The Demon’s smile only widens. ‘We can get to introductions on the way. And I’ll fill you in on the job, too, since you were curious enough to ask.’ He nods to the driver, who promptly pulls out of the depot, and seems to be having a whale of a time behind the wheel of the bus.

‘My name,’ says the Demon who’s done most of the talking, ‘is Benzene. Benzene Petcoke if I’m ever in court. I steal things for a living, because I’m very good at it. Everyone on this bus, and yes the bus itself, is here to assist in that goal tonight; think of me as the mastermind.’

Merlin rolls his eyes. His dad continues to look concerned.

‘Obviously we know you and Albar.’ Benzene is referring to Merlin’s dad. Usually Albar just goes by “Al”, but the Demon either doesn’t know or doesn’t care—probably the former, considering his obvious effort to be friendly. ‘Behind the wheel is our driver, Phency,’ he continues. ‘Phency, can you drive and talk?’

‘Oh, oh yes,’ says Phency. There’s a manic look to him, and he seems to have restless leg syndrome, which is a bit of a detriment to driving smoothly. ‘What’s up?’

‘Introduce yourself.’

‘Yeah. Ok. Yeah I’m the driver. Free agent. Work for myself now. Used to run with Vic Sulph’s boys but they all got wiped out so here I am.’

Had Merlin still been drinking his cold-brew it would have sprayed out of his nose. ‘Did, uh,’ he tries, but stops and rewords his query to something a bit more innocuous. ‘What happened to them?’

‘The lot of them murdered by one man. And I swore if I ever catch up with him, I’ll have my revenge.’ Phency seems less twitchy and more dangerous now. ‘That man’s name… is Alkahest.’

A little bit of cold-brew actually does spray out of Merlin’s nose, somehow. He laughs for a solid eight seconds.

‘God, not this shit again,’ says another Demon with mint-green hair, sitting in one of the seats you reserve for pregnant women. Her name is Rembra, and she’s pawing at her phone. Merlin already knows her, and knows what to expect.

‘I take it I have you to thank for my name coming up in the list of potential heistmates, then?’ he asks.

‘Actually, no,’ she replies. ‘Weird, eh?’ She goes back to looking at her phone.

Benzene slides the conversation back towards himself. ‘Yes, you were actually a pick from our buyer, who funded all this and suggested a few potential participants. Your reputation with the more technological side of things is quite impressive. Plus, with your family’s involvement, we found ourselves a mechanic to keep our bus ride ticking along smoothly! If that isn’t serendipity, well, I just don’t know what is.

‘Speaking of which, imagine my surprise to learn Rembra—currently occupying the role of our actual burglar, and having been a mole for a few weeks—is already acquainted with you! Small Fulcrum, hmm?’

Merlin doesn’t like the sound of this. ‘A mole in what?’

‘Remember at Open Sky when I said I lost all that money?’ says Rembra, sweetly. ‘I lied.’

The last person to steal from Open Sky Capital, and thus from the Dragon Laniakea, was thrown from a top floor window. Thankfully, though, the bus doesn’t seem to be on its way to Open Sky.

‘Where are we headed, Benzene?’ asks Merlin, his need for clarity outmaneuvering his desire to seem unperturbed.

Stop interrupting,’ says Benzene. His composure cracks for around half a second, before he catches the slip and tamps his demeanour down.

‘Let’s get introductions out of the way first, hmm? Now, this is Amyll. She’s our fabricator; forgeries being a specialty of hers. I know isn’t quite a normal heist-crew role but hey, we’ve got to be adaptable.’

Amyll, a woman with spectacles and long hair, cocks her head at him. ‘You’re starting to sound Fae, Benzene.’ She then seems to realise she’d talked back to a Demon not above family hostage taking, and who had just seconds ago demonstrated something of a temper. She shrinks back into herself.

Merlin feels for her.

Benzene, though, barely seems to notice, an almost indulgent smile on his face. He continues to the very rear of the bus, where a large woman in military fatigues has her legs up on the back seats. Glimmering over her head is a stippled halo.

‘Finally, this is Caesura, our arcane safecracker. She’s actually here in a similar way to you, though coming at things from a magical angle as opposed to a technological one.’

‘Yes,’ says Caesura, with a heavy accent. ‘And you have taken those I love as insurance also. Very similar.’ She turns to Merlin. ‘What do you bring?’

‘…Bring to what?’

‘The table.’

‘Oh, right,’ says Merlin, remembering himself. He snaps his fingers and switches Off the bus’s engine. The lights inside go out until Phency gets it started again, muttering incessantly.

‘Mm,’ says Caesura. ‘Very good.’

Merlin shifts to look at his Dad. ‘Don’t you normally ward engines against that sort of thing?’

The other Demons are staring at them. ‘Yeah,’ says his Dad. ‘You’ve gotten good.’ He sounds utterly surprised.

The bus is just about on the other side of Middlemarch’s centre, having already circumnavigated the pedestrianised zone. They’re now trundling through the enclave of pubs and restaurants on the way towards the satellite towns.

Benzene’s eyes are still crinkled at the corners. ‘And with that, I suppose now is the time to reveal our target. Ahem.

‘A little ways north up the M1 is a convention centre. At this time of night we should get there in less than two hours, meaning we’ll be some of the first to arrive and we can blend in among the other buses, which will contain convention attendees and their security details.

‘From there, we infiltrate using cover supplied by Rembra’s insider status, with Merlin getting us through the technological security at the door and Caesura ensuring a malfunction of the magical wards, plus Amyll fabricating outfits and other signifying wristbands or whatever to fit in with the aforementioned security.

‘Once inside, Rembra will use her sense to identify the object of most value to us, and thus our target. Amyll fabricates a duplicate of it, Merlin, you create a distraction, and we make the switch. From there we all come back to our getaway-ready bus—courtesy of Albar here—and we get away.

‘We meet up with our buyer, who will be calling me directly, we give them the goods, and we get paid. Simple.’

Too simple, from where Merlin’s sat. ‘Alright,’ he says. ‘What about the attendees? Who are we stealing from?’

‘Ah,’ says Benzene. His expression doesn’t change.

Quite a bit of time earlier in our story has been dedicated to the idiosyncrasies of a Dragon and its hoard. It’s in their nature, as beings of Order. Each and every Dragon chooses a topic to build a hoard around, and pursues items that could be added to that hoard with the kind of zeal usually only seen in inquisitions, or in that crocodile that used to try and steal Coco Pops from the monkey.

Dragons are also notoriously solitary, rarely working together because despite being powerfully connected to Order as a concept, none of them will actually recognise the authority of any of the others without a concrete demonstration. And when you’re a gargantuan fire-breathing monster, any such demonstrations end with the victor the king of nothing but a small, smoldering hill.

What to do then? Perhaps some sort of abstract system that each and every Dragon could judge each and every other Dragon by? Based perhaps on traits and proclivities common to all Dragons, no matter the colour or level of power?

So Draconic society has a strict and rigid hierarchy, one that is measured based on an individual’s hoard. Dragons can innately see if an item is a part of a hoard as a kind of arcane metadata tag, and can even trade and barter with pieces they think may be of interest to others.

The hoards themselves are judged on two factors; a Dragon accumulates prestige based on the degree of difficulty to acquire pieces for their hoard’s subject, and the quality of the items in the hoard itself. It’s a similar system of judgement to ice skating, except instead of a score out of 6, you have a hundred or so Dragons all subconsciously agreeing on your place in the hierarchy.

Of course, this system means a regular check-in for each and every Dragon with each and every other one is necessary. And so every few years there’s a sort of convention—a Dragon Con, if you will—for Draconic society, where a Dragon will bring the new and prestigious pieces of their hoard to be judged.

It can be something of a high-pressure event. This year, it’s being held in the Fulcrum UK.

‘Do you have any sort of idea how powerful they are?!’ says Merlin, when Benzene tells him. ‘This is suicide!’

‘Merlin, come on, you should have a little more confidence in yourself!’

The other members of the crew seem equally perturbed, apart from Phency, who is driving just as fast.

Then a bullet hits the back window.

Nora is quite drunk.

She’s walking home with Ursa at her heels, embarrassed at how loose her tongue has gotten after only 2 litres of margarita.

‘I really think we should call an uber,’ suggests Ursa, again.

Nora gives her a look over her shoulder, stepping into the road.

She is hit by a bus.

More specifically, she stumbles out of the way as a speeding bus performs the world’s smallest swerve in a half-hearted attempt to avoid her, the mirror clips her shoulder, and she spins on the spot more incensed than alarmed. There’s a familiar face in one of the windows, and Nora spins at just the right RPM to follow its parabola.

‘MERLIN JUST HIT ME WITH HIS FUCKING BUS!!’ she roars. She pulls out her gun.

Four shots are fired. One of them pings off the reinforced glass of the rear window, the others going wide and presumably exploding a pigeon (actually, most pigeons in Middlemarch would survive this for reasons we’ll get to later).

Oddly enough, the bus rolls to a stop. This is because onboard, the driver has left his seat and rolled down a window to get a better look at who’s shooting at them.

‘What the hells are you doing, Phency?’ asks Benzene. ‘You don’t stop if we’re under attack. This is literally the reason you’re here.’

‘Oh,’ says Phency. ‘Yeah. I’m supposed to be a bus driver.’ He begins to giggle.

There’s a knock at the bus’ automatic doors. Phency sees two figures; one of them is swaying and waving a gun. The other gives him a little wave and mouths Can we get on?

Phency opens the doors, to a collective groan from the other passengers.

‘This is a private—’ begins Amyll, but Merlin’s Dad interrupts her.

‘This is a private hire, ladies, sorry!’ he says, trying to usher them off the bus. ‘We’re going to a private event, so if you’ll just…’

Nora grimaces at him. ‘Jesus, Merlin, what the fuck happened to your face? You look like an old candle.’

Ursa hisses and intervenes. ‘Nora, that isn’t Merlin! Why did you shoot the bus? Why did I let you shoot the bus and drag me to—oh, Merlin’s over there. Hey Merlin!’

Merlin doesn’t get the chance to reply, because Benzene gets back to his feet.

‘Friends of yours, Merlin? My, we’re getting more complicated by the minute.’

Merlin hesitates as he tries to think of a believable way to get these idiots out of harm’s way. His Dad sees this, and seems to grow concerned.

‘Do you know them, Sam?’

There’s a guffaw from Nora. ‘Your name is Sam?’ she says.

‘Yes,’ says Merlin to them both. Then, just to Nora, ‘That wasn’t a secret. Did you just never bother to learn?’

Nora is still grinning. ‘I suppose not, Sam.’

Ursa, seeing talks devolving into name-calling – literally – decides to establish her credentials.

‘We’re with the Caliber Institute. The three of us, including Merlin there, are the finest team they have.’

Benzene’s teeth clench. ‘And what does the Caliber Institute think it’s doing, intervening in the private affairs of—’

‘Oh, come on,’ says Ursa. ‘We aren’t here on business. We’re here for our friend.’

Merlin’s jaw actually drops, just slightly. ‘Ursa,’ he says, after a second, ‘As much as I appreciate the gesture, my Dad and I aren’t captives.’

‘Wait is that your Dad?’

‘In fact it’s really important that we get to where we’re going without incident, so if you can just… you know.’ He nods toward the doors.

‘Pshh, fuck off, Sam,’ says Nora. She plops down on the nearest seat.

‘Yeah,’ agrees Ursa. ‘We’ve got your back. Your chance to escape being friends was weeks ago.’

Benzene looks from her, to Nora, to Amyll, and then just shrugs. ‘Fine,’ he says. ‘They’re in. Though Merlin, if they want to get paid it’s coming out of your cut. I’m a patient man, so I’ll even go over the plan one more time. Phency? Step on it.’

‘…and that distraction will be up to Merlin, Ursa, and Nora here,’ finishes Benzene. ‘I already know what Merlin can do; what kind of skills are you two bringing?’

Before they can reply, though, Benzene’s phone beeps. ‘Oh,’ he says, retrieving it and silencing the alarm. ‘Time for the check-in.’

He gets up and ambles towards the front of the bus. Little snatches of conversation drift back.

Ursa, Nora, and Albar are sat in one of the triple seats near the back. Merlin has gone to speak with Amyll on the seats one forward, for some reason, but she’s just looking out of the window. Caesura has her eyes closed at the very back, while Rembra still sits near the front, playing a romhack of Pokémon Silver on her phone.

Albar lowers his voice so only Ursa and Nora can hear. ‘He’s been checking in with whoever’s guarding my wife, wherever she is. He told us before that if he doesn’t call them every hour on the dot, she’s going to die.’

Nora, hearing this, sobers somewhat. ‘Morris,’ she whispers to her watch. ‘Can you trace that call?’

There’s a second or two before the reply comes. ‘No, sorry,’ it says. ‘It’s as if he’s not even connected to a call at all. Maybe the other caller is off-world?’

‘Hmm,’ says Nora.

Ursa shifts in her seat as Benzene makes his way back. ‘Let me try something.’

‘My apologies; now where were we—?’ begins Benzene, but doesn’t get to finish before Ursa jumps up and begins prodding him, both figuratively and finger-atively.

‘So let me just see if I’ve got this right,’ she says, poking at his chest with a gloved hand. ‘You have no idea what it even is you’re supposed to be stealing, you have no idea who your “sponsor” is, you have no idea how exactly you’re going to be causing a sufficient distraction to get what we need and get away clean, and then you have the gall to ask us what we bring to the table?’

Then she taps the finger she’s been poking at his suit with on the palm of her glove, twice. The Chameleon Shiftweave activates, replicating his outfit even as Ursa changes her face to match his.

This is what we bring to the table,’ she says, with his borrowed voice.

Benzene’s expression had been growing ever darker at her needling, but now day breaks on his brow and he’s ostensibly delighted. ‘Wow!’ he cries, and looks over towards Amyll again, just briefly. She’s talking to Merlin now, not looking back.

He refocuses his attention on his own copied image. ‘Now this we can play with. And that works on anyone, does it?’

‘Anyone I’ve seen,’ says Ursa.

‘I’m seeing double here,’ says Rembra, from the front of the bus. ‘Four Benzenes!’ Nobody laughs but her.

Meanwhile, Merlin is gently trying to get a conversation with Amyll going. ‘I uh, heard from Caesura the Mr. Mastermind over there has loved ones of hers, too. Is it the same for you?’

Amyll suddenly seems to register she’s being spoken to. Behind them, Nora listens in, apparently having little to talk about with distracted Albar.

‘Oh, oh no!’ says Amyll. ‘I might not look it but I’m a dyed-in-the-wool career criminal, haha. No need for that with me.’ She sags a little. ‘Well, no need for that with anyone, in my opinion. It’s a little… brutish.’

‘Speak for yourself. I certainly wouldn’t be here otherwise.’

‘Not even for the amount of money we’re going to make?’

Merlin scoffs. ‘Somehow I’m expecting Benzene’s cheques to bounce. As long as he keeps his word and my Mum isn’t harmed, I don’t care. But,’ and here he makes sure his voice carries, ‘if anything happens to her I’m going to wipe all of you out. Bus included.’

Benzene is still smiling. ‘Now there’s that confidence I was hoping for!’ he says. There’s only one of him now.

‘I don’t think that’ll be necessary, though,’ says Amyll, continuing more quietly. ‘We’re all on the same side here.’

‘Are we?’ says Merlin, almost smiling. ‘Because I’m feeling a bit exposed. I know nothing about these people but they know where my fucking parents live.’

Amyll pouts. It doesn’t seem to be an affectation. ‘I could tell you a bit about what we can all do? Most of it’s self-explanatory, but there’s our senses and all that?’

Merlin quirks an eyebrow, and Amyll takes it as a sign to continue.

‘Well, I’ll start with me. You already know about my “fabrication”; I can copy objects and, uh, automatons I guess. I’m an Incubus. And my special sense is that I can smell how old things are. It’s sort of niche, but it might come in handy if there are dragons, huh?’

Merlin nods slowly.

Amyll smiles. ‘You’re wondering about the Incubus-Succubus-gender-roles, right?’

‘I wasn’t going to ask.’

‘No, but everyone wonders if it’s their first time meeting someone like me, because of stuffy conservative shit like the Malleus Maleficarum. The word “Incubus” is literally derived from “to lie upon” in Latin; “Succubus” is “to lie beneath”, which automatically became “male” and “female” because Henricus Institor was an incel with a tradwife fetish.’

‘He… uh, what?’

‘Anyway! Phency at the front there is a Nightmare.’

‘He does seem like a bit of a mess.’

‘No, like a horse demon. Though you’re right, he is a mess. I’m not a hundred percent sure about his sense. I think he can hear if something is flammable? As for Rembra there, she—’

‘We’ve met.’

‘Oh. Well then! That just leaves Caesura, who as I’m sure you’ve surmised isn’t a Demon at all. She’s here because of her facility for breaking things.’

Merlin nods again. ‘What about Benzene? What’s his sixth sense?’

Amyll pushes her glasses up her nose. ‘Now that I don’t know. I don’t even know what kind of Demon he is. He keeps it pretty close to the chest. All I know is that he’ll assemble a crew, pull off a job, and then move on.’

‘Any sort of reputation for letting his crews take the fall for him?’ Merlin asks, finding that Amyll can’t look him in the eye.

‘I mean… I don’t think he’d be able to recruit people if that were the case.’

‘In this economy?’

There’s a bump as the bus pulls into a service station.

‘Alright, you crazy kids,’ announces Benzene. ‘Everybody get your ablutions out of the way, pick up some snacks if you want. This is our last stop before we get there.’

Still mulling over the conversation with Amyll, Merlin alights from the bus with his Dad.

‘Oh, I meant to say, Sam,’ says Albar, scratching at his beard. ‘I was impressed with you bypassing the wards I put on the engine before! This is like the first time you beat me at chess all over again.’

Merlin gazes at his shoes, suddenly sheepish. ‘I’ve never beaten you at chess, Dad.’

His father laughs. ‘No? Well, you’ve come close. Listen… I know I said before we should just go with it, for your Mum’s sake, but—do you have a plan? Do you think you could take these guys?’

‘…Not all at once. Look I’m not stupid, there’s no way I’m going to risk… you know. Right now the plan is just to go along with things, and track this lot down later.’

Albar seems satisfied with that, and goes to re-ward the engines. Ursa and Nora seem satisfied with it too, when Merlin regroups with them.

They lean against a wall, drinking coffee. Nora has somehow managed to convince a barista to pull 13 shots of espresso for her in one cup, and has replaced her swaying with a mild tremor. It’s probably an improvement.

‘I’m not going to say sorry about all this,’ adds Merlin. ‘I mean, the two of you literally shot at the bus and barged in without asking. But, uh. I am grateful.’

‘Don’t worry about it, Sam,’ says Nora, briskly.

‘Yeah, you don’t have to thank us,’ Ursa agrees. ‘Frankly I’d want that Benzene guy to get his comeuppance even if you weren’t involved personally. The guy’s a jackass.’

‘A bell end,’ agrees Nora. ‘Where is he now?’

Merlin cranes his neck towards the car park. ‘He’s doing the check in on my Mother,’ he says. ‘Presumably. He’s on his phone at any rate. His eyes are lit up.’

It’s true. Merlin watches Benzene pacing back and forth. He doesn’t seem to be talking, but listening, and his eyes are red and glowing. He must be using whatever mysterious sense he’s got.

‘You know,’ says Ursa, in the casual tones of one about to suggest a murder, ‘If we were to get his phone, I could copy him again, voice included. We can bypass the check-ins. Hypothetically, I mean.’

Merlin is still watching Benzene. He sees him laugh at whatever he’s listening to.

‘Maybe,’ says Merlin. ‘Might still be a bit risky. What if there’s a password?’

‘I’ll keep an ear out,’ says Ursa. ‘Maybe I should text Alkahest, actually? He might know a bit about the guy. If he routinely gets his crews killed, for example.’

Merlin sniggers. ‘You don’t need our permission to text your Demon boyfriend, Ursa.’

‘He’s not my Demon boyfriend he’s my Demon fiancé.’

Nora takes one last gulp of her hyperdense coffee and neatly tosses it into a nearby bin. ‘There is another potential route we could take. This convention is a Draconic thing, right?’

The others tilt their heads.

‘We could just alert them about the thieves in their midst.’

‘And then we get caught and Benzene has my mother killed,’ says Merlin. ‘It’s an unconventional approach, Nora, but go on.’

Nora shows him her middle finger, but continues. ‘I don’t mean telling everyone and blowing our cover. I just mean that… maybe there’ll be a Dragon there that we have a pre-established working relationship with.’

Ursa shakes her head. ‘No, Laniakea won’t be attending after all that business with the Infernomicon. That’s literally our cover story.’

‘I’m not talking about Laniakea. I’m talking about someone else we… I have a rapport with. On account of my name being in their records.’

Ursa frowns, but then her eyes go wide. ‘You don’t mean… you didn’t…?’

‘Nora,’ says Merlin, pinching the bridge of his nose. ‘Are you telling us that when you went to meet with Mr. Pyrite, and you were telling us what happened afterwards, you neglected to mention that you gave him your True Name?’

‘Hey, you asked if I signed his book and I told you he wanted me to.’

‘Yes, your refusal was implicit in that statement!’

Anyway, since I have that working relationship… maybe if we find him, he’d agree to help us out. We can make it worth his while.’

‘I’m not giving him my name,’ says Ursa, vehemently.

‘Maybe we offer him whatever the loot we’re after is, then, I don’t know. It doesn’t matter. If we get his backing I bet we can turn the tables, you know?’

Merlin still hasn’t looked up. ‘Maybe? Maybe. I’d still prefer to wait until after my Mother’s safe before we kick any hornet’s nests. But you’re right, someone influential on the inside having our backs might give us some wiggle room.’

Finally, he looks back out at Benzene, who grins and beckons them back to the bus. ‘For when he eventually betrays us, I mean,’ adds Merlin.

The sun has fully risen by the time they arrive at the convention centre, though with the morning mist it has to try quite hard to light the whole sky. Their bus was indeed one of the first ones there, and once a sufficient queue of Dragons and their entourages develops, Bezene sends a group to reconnoiter dress code, entry wrist bands, and general security around the entrance.

Said group consists of Merlin, Nora, and Ursa, as well as Rembra to ensure there’s no “funny business”.

‘So,’ says Merlin, as casually as he can manage given the circumstances. ‘What’s it like working with Benzene?’

Rembra grunts. ‘Well, he’s a bastard, but he gets shit done.’

Merlin grumbles. No news there. ‘Do you know what his extra sense is?’

This gets a snort in response. ‘Actually, Merlin, I do. Heard him tell Caesura about it, to keep her from doing anything stupid. Doubt that’d persuade her though. Borscht instead of brains, if you catch my drift.’

Merlin waits politely for her to continue. She, of course, does not; instead, she just leers at him.

‘Oh no, I’m not going to tell you what it is, you lil scamp! It’s funnier if you don’t know.’

‘I wasn’t joking before,’ says Merlin, hissing through his teeth. ‘When I said I’d wipe you out.’

‘Oh, I know. You aren’t the joking type.’

The entrance is mostly what they expected; a set of cameras, bag scanners, and an electronic list of invitations. Dress is formal for security teams, with their Draconic protectees invariably more ostentatious, though ranging from red carpet to Final Fantasy end boss in their conspicuity. Guests are given a yellow wristband.

There’s also a rough-hewn monolith in a vaguely threatening archway shape, giving the impression of the full-body scanners in any given airport. Runes and sigils cross its inner surface, lighting up as a guest walks under them.

‘I can get us onto the electronic list,’ says Merlin. ‘The magical scanner, though…’

‘Will stop working when Caesura gets within thirty feet,’ finishes Rembra. ‘Right. We’re heading back.’

She turns, and the others trudge along in her wake. Ursa in particular is barely paying attention; instead, she’s typing on her phone.

Hey, hope you’re doing ok! I’m out late tonight with Nora!

Merlin is also here!

Oh shit! Lemme know if you need collecting; I finally got the car sorted out. No more driving that roller skate we had to use at Strych’s 🏁

Maybe hang fire on that for now. But I might need it soon? I’ll keep you posted!

Rembra goes all rigid, like a cat that’s spotted a bird that’s somehow holding a gun. ‘Hide!’ she hisses, and ducks through the nearby queue despite the vaguely affronted reactions of the Dragons within it.

Merlin, hearing her panic, sprints away from the building and skids under the nearest bus. Nora, who is currently grappling with a sleepless hangover, and Ursa, who is picking out a variety of emojis on her phone, attempt to hide by standing where they are in a casual fashion.

A hand comes down on Nora’s shoulder. It’s faintly green. Nora turns to see Laniakea, who is attending the event despite her loss of status. Adagio is with her.

‘You,’ says Laniakea. ‘Why are you here.’

Nora looks around as if a helicopter might magically appear and whisk her away to safety. ‘Uh. Uh. We’re part of your security team!!’

Laniakea blinks. Somehow, she believes her.

‘Ah,’ she says. ‘Your Director Brynner is a generous man. This way, then.’

She doesn’t wait for them to follow, instead walking over to the bus with Merlin under it. ‘And where is the small, impudent one. He wears a hat?’

‘Oh, Merlin is, uh…’ begins Nora, only for Adagio behind her to lean down and point.

‘He’s under the bus, Lania. What are you doing under there, Merlin?’

‘I’ve, er…’ tries Merlin, wriggling out from his hiding place, before giving up on anything convincing. ‘I’ve lost my marbles,’ he finishes, sounding more resigned than anything.

Adagio just nods, sagely, as if this makes any sense at all.

As they get on the bus, the last thing Nora sees is Rembra emerging from the queue. Her face is scrunched up in that universal what-the-fuck kind of way.

Nora just gives her a thumbs up, and the door closes behind her.

Building Better Boss Battles: Modular Monsters

Dungeons & Dragons is a game based around combat. It’s one of the game’s three pillars, and it’s a core aspect of the system. If you don’t want combat, you’re probably better off with a different system, right? This is D&D; we have Dungeons, we have Dragons, and we have the ability to be killed by a dragon at the end of a dungeon.

That’s it. That’s the game.

Trouble is, D&D – and 5e especially – suffers somewhat when you try to run a boss fight. Specifically, it suffers when when you try to run a solo boss fight. You know, a climactic showdown between the party and some obscenely powerful monster? Or even the main Villain themselves? The kind of battle that should be the most thrilling, the most exciting?

And then in practice, your players stand in a circle around the boss and kick it until its arms and legs fall off.

This is because of the action economy. The action economy, in 5e, refers to how much stuff you can do in one turn. For a player, that usually means one action, 30 feet of movement, and one bonus action and reaction if they’ve got the tools to use them. For a boss monster? Well, actually, it’s kind of the same.

Multiattacks, Legendary Actions, Lair Actions, and Legendary Resistances mitigate the issue a bit, but for the most part a boss monster and a player character have an equal amount of stuff. Yes, the boss’ stuff might hit harder than any single player’s stuff, but there’s only one of the boss when there’s several players. That isn’t a boss fight, it’s bullying!

Seriously though, I can’t tell you how many times I’d set up a climactic showdown with Phobos Darkevil the Necromancer, or the Plague King, or literally Shadow the Hedgehog but I didn’t tell my players that, only to have the actual fight play out as tedious and one sided because for every one spin attack the boss did, it’d get pelted with five turns worth of punishment.

(As an aside, I think a separate but equally catastrophic 5e problem is treating a fight as the source of conflict, as opposed to a method of solving conflict that’s been introduced by other factors. It’s the difference between ‘they enter the room and have to fight, oh, let’s say, an owlbear’ and ‘the cultists’ ritual is almost complete, and they’re more than willing to use violence to keep you from disrupting it’.

Maybe I’ll write something about this another time?)

Three Dogs

So, how do we fix this? 4e had a novel approach with Minions, a type of ugly yellow toddler ‘Monster Role’ designed to help ‘fill out an encounter’. Basically, a minion is destroyed when it takes any amount of damage, but it still needs to be attacked, so you can treat them like croutons in a bowl of soup; scatter a few on top to add a bit of additional crunch to your encounter.

The trouble with that approach though is twofold: one, adding more monsters sort of defeats the point of a solo boss fight, and two, once they’re all gone? Your players stand in a circle around the bowl, and they’ve all got their own spoons, and I shouldn’t have extended that metaphor.

So what’s different with our approach? Well, I can’t tell you yet. First we have to talk a little bit about Greek mythology! No, seriously.

Chances are you know a bit about Cerberus. In fact, you’re reading an article about D&D boss encounters, of course you know about Cerberus. Big dog. Three heads. Name possibly comes from the Sanskrit word k̑érberos, meaning “spotted”, which is huge if true.

Specifically, we have to talk about Euripides’ version of Cerberus. See, Euripides said ‘Alright, yeah, Cerberus has three heads, yeah, but he’s also got three bodies too.’

And his friend Eumenides says ‘Surely that’s just three dogs, squire.’

And in response Euripides goes into exile in Macedonia.

But let’s assume for a minute that Euripides hasn’t lost his little oil flask, and that despite having three bodies, there was only one dog. What if Heracles shows up and hits one of Cerberus’ bodies with his club?

Well, Cerberus is still alive, obviously. But now instead of biting Heracles three times, it can only do it twice, since now it only has two slots in the initiative order. Wait hold on I dropped the metaphor—

The Modular Monster

Let’s keep on using Cerberus as our example. He’s got three heads and three bodies, but he’s just the one dog. We don’t need to tell our players about the multiple bodies, as far as they’re concerned, he’s one dog with the normal amount of bodies for a dog. Let’s not muddy the waters.

These three bodies mean three entries in the initiative order, so three pools of hit points, and a little more balance in the action economy. They also mean unique abilities for each one—let’s say there’s a fire head, an ice head, and uh a gravy head.

They didn’t have ‘Gravy Dog’ on DnDBeyond for some reason

When combat begins, you proceed as normal. You pick one of the bodies – let’s call them ‘modules’ – to take damage first, and when that one dies, you remove it from initiative like any other monster. Simple! And now, phase two has begun: the boss can no longer use its gravy breath weapon, so you change up your tactics, relying now on other attacks. You tell the players that the gravy head has closed its eyes, but the other heads look even angrier.

I think a Winter Wolf could still have a gravy breath weapon though

When all but one of your boss’ entries in initiative order are gone, you’re in the final phase. The boss is slower now, as far as action economy goes, and your players will have noticed this, especially if you’ve been describing the physical changes as modules have been removed! This is when you bring out the big guns, or even try to escape. The boss knows it’s on the ropes, and from both a mechanical and narrative perspective, it all comes down to this.

Maybe your players still end up standing in a circle and kicking the boss until its limbs come off. But this way, they’ll have earned it.

Benzene

At its heart, what we’re doing with this approach is disguising a group of enemies as a single entity. When you think about it that way, it seems really simple: 5e struggles to have solo monsters pose a threat, often just lumping them with more hit points so they survive longer and turn every fight into a slog. 5e combat is fun when there are a variety of targets to target. So all we do is turn the latter into the former.

But it works!

I’ll finish up with an example from the Sunday game I DM; a fight at the end of a six-session story arc involving a convention for Dragons, a heist, and a kidnapped parent. The arc’s villain – a demon named Benzene – called for a kind of hostage exchange: the aforementioned kidnapped parent for the loot from the heist.

But I built a boss fight, you know, just in case the players didn’t want to negotiate. And I decided to try this new idea.

It’s actually kind of scary to part the curtain like this!

In this encounter, Amyll, his wife and partner in crime, is represented with an Incubus statblock. She’s also responsible for Lair Actions, not actually taking part in the combat and instead guarding their hostage in another room.

Benzene himself I represented with two White Abishai. I kind of picked them on a whim because they had spears! In the narrative, though, Benzene is just one man – he comes out fast, and gets a spear after the second round’s lair action (the first is used to create a big ball of concrete that rolls towards the PC searching for the hostage).

After a fairly even fight, one of the Abishai is killed, so Benzene now has just the one turn in each round. He sheds his humanoid form and pulls out all the stops. The players feels the sense of progress, and press their attack further! They’ve slowed him enough though that with their advantage in the action economy, they can afford to split their attention between the fighting and their actual goal – rescuing a hostage.

It was a lot of fun to run, and my players seemed to enjoy themselves! All in all, considering this was the test run for a new style of building encounters, I couldn’t ask for a better result.

So, next time you’re struggling to create a balanced and compelling boss fight in 5e? Just put three dogs in a trenchcoat. If anyone asks, it’s a method you learned from an ancient Greek playwright.

Plus, if you liked this article and you also like podcasts, maybe check out Roll History, where Vesper and Sami discuss stupid stuff like this regularly! Or don’t; I’m a website, not a cop

Caliber Session 19: Mexican Food Interlude

After everything that happened in the Lake District, our party returns to Middlemarch feeling not at all refreshed, unfortunately. The bags under Merlin’s eyes have total hemispherical reflectance below 1.5% in the visible spectrum. Ursa misses her video upload for the week and gets a few tweets from entitled fans as a result. Nora doesn’t actually speak to another human (or humanoid) being for the next eight days.

When they eventually go back to work at the Institute, sanctions lifted, there’s quite a bit to catch up on. Except for Ursa, of course, who is currently unemployed.

‘I thought,’ says Merlin, fiddling with the lid of his cold brew bottle, ‘That I knew who our digital intruder was. But now I’m not so sure that they themselves are the problem.’

Penelope is floating by a monitor, reviewing user accounts. There’s no keyboard or mouse, but that doesn’t seem to bother her. ‘You seemed like you were uh, zeroing in on someone last time we spoke about our little security flaw?’

‘Yes, I thought I was.’ Merlin’s reply is probably a bit too quick. ‘But I’ve been thinking about the nature of the real issue; maybe it isn’t the person but the worm itself. The, uh, computer worm that’s burrowing in. Generic term, not a specific worm.’

Penelope deletes an entry. ‘I know what a worm is, Merlin.’

Merlin tries not to overthink everything Nora told him and the others about the Morris Worm. He sips his coffee. ‘I was thinking we could construct something in a virtual space. Like a firebreak around the servers themselves. Or a moat.’

‘I’ve tried that. It slowed our intruder down one time, but afterwards they’d learned how to bypass it.’

‘Yes, but what if we were to use another of the labyrinth bones?’

The list of user accounts doesn’t move for a few seconds. ‘…You’d need to run it by the director,’ says Penelope. She sounds like she’s already thinking through implementation. ‘An endless, virtual labyrinth… we’d need to set up a quarantine location, something better than a simple conjurewall, uh…’

Merlin leaves her to her musings, and goes to press the lift button for the top floor.

Director Brynner is already in a meeting though, and unaware of the ascending Gnome.

He leans back in his chair, fixing Ursa with cerulean light. He’d rescheduled two other meetings to see her at the time she’d requested, but the agenda isn’t quite the one he’d hoped for. ‘Could you clarify again exactly what you’re proposing, please?’

Ursa takes a breath. Her leg is threatening to start bouncing, and she finds herself assaulted by a memory of the time she first attempted to explain what a “Video Content Producer” does to her Mama and Tata.

‘I want to continue working with the Caliber Institute, but after everything that happened with the Summer Court and Alkahest, I don’t think I can work for the Institute. So I would like to offer my services on a Consultancy basis. I’ll still act as a field agent; I’ll still be just as useful, but I can’t allow myself to end up in another situation where what the Institute needs to do and what’s actually right are at odds.’

In the corridor outside, Merlin has alighted from the lift and is strolling past the conference room on his way to the Director’s office.

‘Carpenter, we can’t have consultants. The closest thing we have to a consultant is Stiletto Benevolent, a man we sacked and decided didn’t necessitate use of Modify Memory. And the reason we don’t have consultants is exactly the lack of accountability you’re referring to.’

Brynner tilts his head upwards, observing the tasteful lighting as he speaks. ‘The Caliber Institute cannot function if those in its employ are free to disregard any policies, orders, or consequences they find distasteful. We’d fall apart. Rules are, usually at least, established for a reason. You can’t just tell me you want the same role as before but with none of the responsibility. It’s like that Brexit debacle from a few years back.’

Ursa finds herself inspecting the lights as well. ‘Alright then. Thank you for seeing me,’ she says, and stands up.

Brynner blinks at her acquiescence. ‘Hm,’ he says. ‘I thought you’d push harder on that.’

‘What?’

There comes a sudden stillness of the air, as if Brynner’s office is an undisturbed mausoleum, or a disused airlock. Outside, the clouds above pause in their dilatory crossing of the sky. On the verdant top floor of Open Sky Capital, a hummingbird’s wingbeats slow down and halt entirely, just to really drive the point home.

Director Brynner rises from his desk in frozen time. Ursa, in turn, sits back down.

‘Look, Ursa,’ says the Director. ‘You were so good at playing your own game last time we had a meeting. Please, recognise when other people are doing the same?’

‘…Hello?’ says Ursa, looking at the frozen city outside and unable to think of much else to respond with.

‘You recently had a brush with Neutrality, did you not? In the lakes? I did receive a report from the site manager there, though I suspect it lacked a few key details,’ says Brynner. His tone is casual, but Ursa can see a trickle of what must be condensation running down the brass blankness of his face. On someone with skin and the ability to sweat, she’d have taken it as a painfully obvious sign of exertion.

‘It’s an incredibly difficult line to walk. Cosmic Neutrality, I mean,’ continues Brynner. ‘The Alignments are always watching. Or, not really watching, but reacting. “Watching” implies consciousness. There are very few places warded from their observations, and my office is not one of them. I’m humanity’s signatory of the Inside Accords, Ursa. And the Caliber Institute is an extension of my embodiment of that role. Hence the name.

‘If I were to express my feelings that having a “consultant” – as you put it – with fewer restrictions would be an incredibly useful tool in the Institute’s arsenal? The other alignments would absolutely react to that. We’d lose our Neutrality before you can say “knife”.’

Ursa nods. She understands where he’s going with this. ‘Won’t they react to this?’

‘We’re a little ways outside, erm, time right now. I’m going to sit back down and it’ll end. I actually can’t do it for very long anymore, not without my, ah, “full power” as it were. But I keep that to one side, so, yes.’

The air comes rushing back into regular motion. The clouds begin to move again, though it’s a bit hard to tell. The Open Sky Capital hummingbird flits onwards, passing the shoulder of the company’s CEO and earning a half-hearted swipe in its direction.

Ursa has jumped back to her feet. ‘Director, I will not take no for an answer!’ she shouts.

This confuses Merlin somewhat, as he waits just outside the door. Ursa’s voice sounded like a record skipping for just a moment. He isn’t trying to listen as he waits, but he does hear occasional snippets of discussion nonetheless.

‘…I mean, I’ll still be doing, like, hazardous work so that means hazard pay, right?’

‘…You wouldn’t have the same protections as a full employee; Morta would be unable to give you a prophecised end, for example.’

It seems to be going smoothly. Good.

Ursa waves at Merlin when she eventually emerges with a new contract and a start date in the following week. He gives her a thumbs up, and pokes his head around Brynner’s door.

‘Um, good afternoon, Director. Do you have a minute?’

Brynner gestures for him to come and have a seat, so Merlin closes the door behind him and explains a bit about his labyrinth trap proposal. The Director’s desk phone is a rotary one, but despite his Luddite tendencies – or possibly because of them and Merlin’s use of analogy – he seems quite keen on the idea.

‘The only thing, sir, is that I’d really like to get some outside expertise on dangerous artifacts like the bones. Is there anyone that might be able to offer any insights?’

‘You don’t have to call me “sir”, Williams. And other than Emva in R&D and Cimimi in the treasury, I’m not sure who else I’d suggest, internally. Externally, though? If you want information on dangerous magic I’d suggest setting up a meeting with Laniakea. Or at least one of those “Zoomer” calls.’

Merlin makes a quiet sort of choking sound. ‘I’ll ask about it,’ he says.

A day passes. It’s Saturday, late afternoon, just on the cusp of evening. Nora is visiting her sister, this time, at her semi-detached house complete with garden that’s only nine-and-a-half miles from the city centre. They’re drinking good red wine.

Nora herself has been up since 04:37AM, as she was attacked in her bed by two mid-sized wolves. Morris apologised profusely, but still she hadn’t gotten back to sleep afterwards. It was one of those days, apparently.

Ella laughs emphatically at some remark, having had quite a bit more wine than Nora. She wags her finger, having apparently remembered something.

‘Oh! Yes! Happy as I am to hear about you visiting a family barbecue, I have news! My start date at Open Sky got moved forward!’

The bottle of wine sits empty on the table between them, Ella sitting with her feet up on the sofa beside her. Nora still has her shoes on. ‘Oh really?’ she says, keeping her tone measured.

‘I’m starting this Monday! Honestly I’m a bit nervous, especially since I’m going straight to working directly for the CEO at a company I’ve barely even heard of before they poached me, ha. But pressure makes diamonds, as Dad used to say.’

Nora scoffs at the mention of their Father, despite her concerns.

Ella swirls the wine around in her glass, watching the legs run down into the rest of the liquid. ‘Got to be there at 09:30 on the dot for my “initiation”, according to the email. I think they meant to put “induction” and had a bit of a brain fart.’

The glass in Nora’s hand is more than half full. ‘Can I take a look?’ she asks, politely.

Ella, quite drunk, frowns in bemusement but passes over a tablet with the email on it. It does, indeed, say “initiation”. Nora taps the attached contract, and finding nothing immediately suspect, flashes on her Eldritch Sight.

Swirling arcane fine print is threaded all around the regular text, luminous green to her occult-occularis. It’s similar in many ways to her own contract at the Caliber Institute, with one somewhat alarming additional clause.

“Employee shall be inducted into the Outside world. Open Sky Capital is not responsible for Employee’s response to this new knowledge, and Employee consents to immediate termination if they take on the Mantle of the Auditor.”

With perhaps a bit more care than necessary, considering Ella’s current state of inebriation, Nora emails a copy of the contract to herself.

She makes her excuses and makes for the door, stopping only to ask Ella – quite earnestly, to a point that her sister would be worried had she been sober – to let her know how it goes on Monday.

Ursa has just finished filming a Get Ready With Me video and preparing for a night out at the same time, and found that she doesn’t actually need to leave for another hour.

Her brain won’t let her do anything else, because there’s an appointment later in the day. She scrolls through BlinkedIn for a few minutes before a thought pops into her head.

‘Hey, Mama!’ she says brightly, having spent the last twenty minutes with her thumb hovering over the call button. ‘I was actually wondering if I could speak to, uh, Kojak? I just wanted to ask a couple things.’

There’s dead air on the phone for a moment, and Ursa remembers to hold it a bit away from her ear so it doesn’t get all smudgy.

‘…Solya, he and I are the same person. He doesn’t know anything I don’t,’ says Sarolt. Presumably the pause was her stepping somewhere private.

‘Yeah, but he has his own… outlook, right? Like me with, uh, well…’ Ursa trails off. Her Mama has met Abadallion at least a hundred times, but still she struggles to articulate the difference between a Changeling mask and a persona when it’s her own mother she’s talking to.

Another pause. ‘Ah. Okay, but we’re midway through making dinner and I don’t trust your father not to make it too spicy.’

There’s a rustling, then another voice on the phone.

‘What is it you want to know?’ asks Kojak.

‘Well, firstly I wanted to say thank you for being, um, discrete in the report you sent to Brynner. But following on from that, I have a question about the whole, you know, imprisoned Angel business. About Myst.’

Kojak’s reply takes long enough that Ursa wonders if there’s a signal issue.

‘What exactly is it you’re looking to find out?’

Ursa’s front teeth worry at her bottom lip. At least she hasn’t put on any lipstick yet.

‘I just… I wanted to know how you know for certain that she was really responsible for, um, you know. The,’ and here she whispered, ‘Assassinations. We couldn’t get any confirmation out of her at the time, and I know she was pretty quick to try and kill us, but there’s just this nagging feeling I’m getting that—’

‘Orsolya, I’d rather not go into detail.’

‘—there’s more to it than that, I mean, what if she’s been framed? And what if whoever actually did it is still a threat? Yeah, she’s admitted it, you said, but—’

‘Orsolya—’

‘—what if that was a false confession and she—’

‘She was still covered in their… remains when we apprehended her.’

‘—only stayed in her cell because… oh.’

Kojak’s voice is not unkind. ‘Yes. It was a bit of a mess all round.’

‘…Did she say anything at the time?’

‘Only that she was acting in the interest of Life, which for an Angel is like saying “I woke up on Earth today”. Now if that’s everything, Sarolt is going to wrest the jar of chilli powder from your Father’s grip.’

‘Oh. Yeah. Okay. Thanks, Kojak. Bye, Mama.’

Ursa hangs up with a phantom taste of toffee at the back of her tongue.

The Morris Worm’s shifting faces all wear a look of sheepish rue. ‘Actually, there was someone looking into you online a few weeks ago. I didn’t think much of it. They couldn’t get through me. So maybe they found your sister instead?’

Nora’s glare remains fixed on the monitor. She’d rushed home and immediately asked Morris if there was anything that could be done about Ella’s contract, and how Laniakea had even found her.

‘…And yes, I just checked now and it was Open Sky doing the looking,’ continues the Morris Worm. ‘I’m sorry?’

In the dark of the little home office, Nora does not let out a sigh. Morris was only trying to keep her safe. ‘You don’t have to apologise,’ she says. ‘But you do have to help me think of a solution. I can’t just tell her to skip the interview without a good reason, and the only “good” reason – that Laniakea is a literal Dragon – puts her in the exact same danger we want to prevent.’

Morris chooses its words with surprising care. ‘It might be possible to create a charm that would help her to… acclimatise? Rather than… reacting poorly?’

‘You mean rather than becoming an Auditor and dying.’

‘…Yes. I’d suggest using my Wish function but that won’t be operational for another three weeks at least.’

‘Hmm. What would the charm involve?’

‘I’ll need some time to run some models. And you’ll have to deliver it in person.’

‘Okay, yeah. I’ll… bring her a muffin before she goes in. It’ll be weird but worth it. Are you sure there’s no way to, you know, keep her away from all the Outside stuff completely?’

‘Nothing I can think of right now, but I’ll keep looking. Oh, and I should probably remind you, your hangout with Ursa is in twenty-five minutes. Don’t drink too much!’

The hangout is in a Mexican place that Ursa has assured her is “Really nice. Authentic!” Nora finds her already at a table, and having already ordered a big margarita pitcher. She pours them both a glass as Nora sits down slowly, keeping her coat on.

‘You’re doing it again,’ observes Ursa.

‘Doing what?’

‘Checking the exits.’

‘Oh. Yeah, it can be…’ she catches herself swivelling her chair a little to get a better angle. ‘Difficult to switch off.’

Ursa hands her a brimming glass – a FESTLIGHET, as Merlin might have pointed out, were he present – with a little lime wedge on its rim. ‘That’s why I ordered these,’ she says.

Before too long they’re talking. Nora is making a real effort not to answer in monosyllables and Ursa takes the opportunity to learn more about her friend. When their food arrives, Ursa has learned that Nora has a sister, and is trying to guess her name.

‘Is it… Bellamy?’

Nora pauses with a corncob in her hands just to give Ursa a scathing look. ‘No.’

‘Dashiell?’

‘What? No.’

‘Okay, I should go for something common. Uh. Charlie?’

‘No.’

‘Sam?’

‘Pfft, as if I’d be related to someone named Sam.’

Ursa eats a taco al pastor. Another jug of margarita arrives.

‘I actually mentioned my sister because it’s kind of on my mind. She’s got a job interview on Monday. For Laniakea.’

Ursa inhales a chunk of pineapple.

‘What? Why? How?’ she asks, when she recovers.

Nora is at this point pouring herself another drink. She shouldn’t have mentioned anything. ‘You know, it’s complicated? I shouldn’t have brought it up.’

‘Nora, you can’t just—I mean, I want to help. If I can? You’re my friend!’

Nora finishes her glass and helps herself to another. ‘Don’t worry about it.’

‘I’m not worried about it, I’m worried about you.’

‘Don’t worry about that either. Anyway this was nice, but it’s pretty late and I should be heading home.’

Ursa watches her sway a little bit. She’s a bit tipsy herself, but concern for one’s companions on a Girls Night tends to burn alcohol away quite rapidly. ‘I’ll ask for the bill. You’re, er, not planning on driving are you?’

‘I’ll walk.’

‘Do you live nearby?’

Nora fixes her with a natent gaze. ‘Wouldn’t you like to know.’

‘…Yes, Nora, I would. That’s why I’m asking.’

Nobody knows where I live, Ursa. Not even the Institute. Not even my own Mum’n’Dad. Not even the post office.’

‘…why?’

Nora seems unprepared for this line of questioning. She simply leaves the building.

It’s 01:33 A.M. Merlin has stayed up working on the concepts for the virtual labyrinth. It’s all come to him naturally, like he’s merely transcribing a melody he’d heard earlier in the day. Penelope, who needs even less sleep than Merlin apparently does, will begin setup of the trap as soon as she receives the schematics he’s just finished. He drafts an email, attaches the file, and hits send without any additional text or description. She’ll know what to do. She was excited about it.

There’s a knock at the door. Three sharp raps, not much space between. His flatmate Ben is out on the lash tonight, but if it were him at the door – having forgotten his key or something – it’d be less a knock and more an inebriated hammering.

Merlin hops down from his seat, giving up on theorising when there’s a simple solution present that offers a concrete answer: opening the door.

It’s his father.

‘Dad?’ asks Merlin. ‘What are you…?’

‘Heya, Sam. I was, ah, just in the neighborhood and I wanted to get your advice on something.’

‘At half one in the morning?’

‘Ah, yes, it’s important. Can you come with me to the depot? I can’t really explain until we get there.’

Merlin’s father is a bus mechanic. He doesn’t specify to Merlin that it’s the bus depot he’s referring to, because that would just be odd and unnecessary.

Merlin nods, and locks the door behind him. ‘Hold on, are we walking?’ he asks, when it becomes apparent that they are, indeed, walking.

His Dad nods this time.

‘But it’s forty minutes from here,’ says Merlin.

Another nod.

‘You didn’t even bring Tick.’

Tick is a mechanical dog his Dad built. Merlin doesn’t specify this because it would just be odd and unnecessary.

‘Hm? Oh, didn’t have time,’ says his Dad.

They continue to walk, slowly, in the direction of the bus depot. Both of them have short legs.

The depot is almost totally empty save for a number of sleeping buses. One, however, is some way away from the others, and its lights are on. The engine is running, ready to depart.

‘Dad, what’s going on?’ asks Merlin again.

His Dad approaches the bus. Its doors hiss open. He gets on. Merlin, lacking other options, follows. He idly notes as he does that it isn’t one of Middlemarch’s regular public transport buses, but instead a silver thing with tinted windows.

The man at the wheel is a twitchy sort, grinning at Merlin as he alights. Seated in various locations are a number of others, all regarding Merlin and his Dad with varying levels of glee.

Merlin realises they’re Demons. Half a second later, he realises the one closest to the back is Rembra, who’d tried to pin a bank robbery on him a few years back. She flashes him a peace sign.

His jaw begins to stiffen. ‘What is this?’

A Demon in a tailored grey suit and tie, grinning like a salesman, gestures towards Merlin’s father. ‘Alright, why don’t you explain?’ he says. Another demon, with long ginger hair and cat-eye glasses, rolls her eyes at him.

His father takes a breath. ‘Sam… these people have your mother.’

Merlin looks at the assembled Fiends. ‘How… dare you,’ he growls.

‘All we have to do is go with them for a job tonight and they’ll give her back, safe and sound. We even get a cut.’

‘How dare you,’ says Merlin again. He isn’t listening.

His hand comes up and his tattoos flash; arcing electricity crackles around his fingertips. One lightning bolt should be enough to put a hole through the ginger one’s chest and blow off Rembra’s fucking head for good measure. The big one at the back – she might not be a fiend, actually – clearly isn’t paying attention. Slow. The salesman is an unknown quantity, but if he summons a Shadowspawn he can keep the guy busy while he takes his Dad to a safe distance and blows up the bus behind him. Yes, there’s the driver, but—

His dad steps in between Merlin and the Demons. ‘Sam, please.’

Merlin looks into his Dad’s eyes. There’s real fear there, not for himself but for someone he loves. Merlin has never seen his father like this; usually his eyes have a gleam to them, as if he were seeing the world at a slightly higher resolution than everyone else. Or at least a twinkle, when he was being sarcastic.

His eyes are missing all of that now.

‘Alright,’ says Merlin. ‘Alright. What’s. The job.’

Caliber Bonus: 1987 – Alkahest, Kojak, and a Failed Coup

God, thought the Demon. This is an unnecessary number of stairs. Maybe I should have stayed on the ground floor and just… thrown a brick or something.

Alkahest, heavy case in one hand, reached the top of the bell tower of… it was a church, wasn’t it? A parish church. He was new enough to sentience – just about a year – that concepts like ‘buildings having names based on their function’ was still a bit confusing. Before then he’d just been a patch of shadow trying to kill things that wandered into it.

He was in a place called Stockport, which was in a place called Greater Manchester, which was in a place called England. England was in – wait, no, on a place called Earth, only there were literally thousands of other places called Earth. This was the Earth in the middle, though, so it was called the Fulcrum Earth.

Alkahest shook his head and opened his case. He’d had long enough to get his breath back. As he assembled the rifle, he wondered to himself what Panacea might do in his situation.

‘She’d already be on her way home,’ he said. ‘But! I am professional. I don’t need to make messy displays as long as I get the job done. And I certainly don’t need to kill every single human in a factory just to make sure I get who I came for.’

He looked through the rifle scope to the door of the factory below. His target and her entourage would be exiting soon. It was a fair distance, but there wasn’t much wind, and Alkahest had steady hands.

He just had to wait.

Just be patient.

Just wait.

There came a grumble from Alkahest’s stomach.

‘I am professional,’ said Alkahest again. ‘I get the job done. I’m also a Demon who doesn’t need to eat, and I would certainly never think of stepping away from my position to go and get some fries and gravy or something. Ground yourself in the moment. Focus on where you are.’

His stomach rumbled once again.

‘Because… they call them “chips” here, not fries, you know?’ He put down the rifle and got to his feet. ‘Okay, it’s… it’s fine, we just take a couple minutes to get somethin’ to eat, and we come straight back. If anything, waiting is making it worse.’

He practically flew down the stairs.

The “chips” were pretty good. They were just steak fries but with gravy on. He’d heard about something called “poutine” that you could get in Canada, which was the same thing but with cheese curds? That was definitely going on his list.

‘Can’t believe there was a time I didn’t have tastebuds,’ he said, wiping the last of the gravy from the polystyrene tray with a finger.

He went completely still when he’d popped it in his mouth.

The gravy, the fries… tasted big, somehow. It was almost like… the taste of a meal in a fancy restaurant when you know your partner is about to propose. Or, when you take a big gulp of wine and your nemesis tells you it’s been poisoned.

Alkahest got back to walking, but had stuck his tongue out in shock and disgust. He couldn’t get the taste of significance out of his mouth. Maybe he needed a drink? His pace quickened.

He needed to get back up–

The door of the church was ajar.

‘Oh, no,’ said Alkahest.

He dashed inside. The pews were the same dull brown, the stained glass windows still looked like shit, the stairway that led to the bell was still intact; nothing had changed.

Why did he have this taste of consequences in his mouth?

Tap, tap, tap, tap.

Someone was coming down the stairs. Alkahest closed his mouth and listened – slow steps, deliberate. One person. If it was just one person, Alkahest could probably take them.

Then again, if they were coming from the bell tower then they’d have found the rifle. Alkahest wasn’t so powerful a Demon that guns didn’t affect him, so the rifle could cause him some trouble if they brought it down with them. Most people, upon finding a loaded rifle on the ground, probably wouldn’t just leave it there.

Whoever it was, they sure were walking slow. He was going to miss the window for his target, at this rate.

Wait, was that the point?

‘Oh, no,’ he said again, as a man emerged from the stairwell.

He looked to be about a head taller than Alkahest was, in that lean, lanky sort of way. His eyes were covered by a pair of dark glasses, transition lenses, if Alkahest had to guess. One hand was in a pocket of his grey suit, and one held the scope from Alkahest’s rifle.

‘Azoth Alkahest,’ said the man. ‘My name is Anasios Kojak, with the Caliber Institute. I’m here to prevent you from assassinating the Prime Minister. The building is surrounded. I hope you enjoyed your chips.’

‘They were real nice,’ grinned Alkahest. ‘Hey, if I hadn’t gone for a snack you woulda snuck up behind me, huh? Funny, that.’

‘Hilarious. Are you going to leave quietly, or do you need to be persuaded?’

The door slammed shut behind Alkahest. So there really were more Caliber goons. Great.

‘How about instead,’ said Alkahest, retrieving a hand grenade from within his white leather jacket, ‘You give me back that scope and we head upstairs together? I’ll just blow Thatcher’s head off real quick, and after that we can do whatever. I’ll buy you a beer.’

Kojak adjusted his glasses, face totally impassive and inches away from Alkahest now. How had he moved so–

The grenade fell to the ground before Alkahest had chance to pull the pin, Kojak twisting him in a painful arm lock.

‘You are a Demon, Alkahest,’ Kojak hissed in his ear. ‘Even if you were born into it, you are a member of the Inside Accords. We do not interfere with the mundane.’

‘So what, you gonna ship me off to the gulag for deposing a tyrant?!’

‘She was democratically elected, you ignoramus. It isn’t like your Infernal Kings. Speaking of whom, what do you think they would do were they to hear about your little assassination attempt?’

‘They ain’t exactly my biggest fans regardless,’ said Alkahest, voice strained. ‘But I like to think they’d be a little scared they’re next, you know?’

‘Ridiculous. As if a pup like could even get close. And even if you did, the Institute would swoop down and you’d never see daylight again.’

Alkahest’s mouth opened wider, and the shadows inside it fully overtook his body. They billowed out of Kojak’s grip and bloomed up under a church pew, lifting it and throwing it right at him.

Kojak’s hand flashed, a knife appearing in it. He simply held it upright before him and the pew parted around its edge as if it were a tiny, razor-sharp Moses. Alkahest, in his shadow-form, took the opportunity to make a break for it, but Kojak was far too fast – a hand shot out and gripped him by the throat, shadows condensing into something much more humanoid again.

The Demon was thrown across the room, slamming into a stone column with an audible crunch. Alkahest coughed up blood. He’d never had blood before. It didn’t taste too important.

‘By all rights, I should end you now,’ said Kojak, standing over where Alkahest had slumped down to the floor. ‘Remove you as a threat before you get the chance to really become one.’

He seemed to be talking more to himself than to Alkahest. ‘However,’ he continued. ‘I’d prefer to live my life assuming people can change for the better. So I’m going to let you go.’

Alkahest spat bravado at his feet. ‘…You’ll come to regret that.’

‘Maybe,’ agreed Kojak. ‘But I’ll sleep tonight. Let’s compromise.’

His boot came down on Alkahest’s ribs.